#but like. the fact that two (2) burn related things released so far

[0-lcb-sinner]

burn in 2023: either on mostly unrelated ids or in ids specializing in it. not too common either way. mostly rolls Bad

burn in 2024: there are two walpurgis-locked units which, in combination with the new liu units, make burn almost bearable to run

burn in 2025, apparently: try to keep your units from committing suicide

what did projmoon mean by this?

[midnightgorefest]

Burn all that is tainted, then we can try again.

SURPRISE BITCHES!!!!! me and like 13 of my friends have now spawned to work together as Cassette Studios to make A GAME!!!!!!!! what is that game you might be asking? A VISUAL NOVEL ADAPTATION OF SBRT!!!!! I did the voice acting and art for this teaser :3

yeah ignore the fact I was supposed to post this 2 hours ago I slept in

that being said: I will be making a tumblr blog and and twitter account for updates and progress we make on the game!!!!

if all goes well, we should be expecting a demo release for this game on november 24th of this year!!! (also being sbrt’s 1 year anniversary!!)

me and my friends have spent months working on this game so PLEASE please please boost this if you can !!!!

for tumblr, I’ll be making two new tags:

#cassette studios - for all things related to how the studios doing and what we’re working on

#sbrt development updates - for updates on how the game is going

I have to give a HUGE thanks to all of you guys, because if it weren’t for you, I would’ve never made it this far, so take this game as my thanks to you <3

@cassette-studios - tumblr blog

@/_CSStudios - twitter acc

[logictoinsanity]

Recently read The Silence by Tim Lebbon and it was great, found out there was a movie and watched it and now I'm subjecting the Internet void to

My Thoughts on The Silence (2019) (6.5/10):

-(TLDR: I enjoyed it, but if I hadn't read the book it'd be much less interesting

TLDR of the move: if youve seen a quiet place, very similar creature, blind and hunts via hearing, reminiscent of like, piranhas combined with bats. parents, young son, deaf daughter and moms mom are trying to survive)

- Casting is all good except for Huw they fucked up (actor did a good job, just don't think he has the right vibe and its not /just/ because he's bald)

- Jude and Ally are great, Otis is a Rottweiler and I can't remember if that's book accurate (definitely not how I pictured him, I pictured a mutt that vaguely resembles a dark grey Irish wolfhound, but not as ridiculously large). but he's so so cute (I hid during The Scene™ so I have no clue how they handled it, but maybe next time I can just think about the dog actor having a really fun time)

- Not a fan of the change of setting, I understand that the problem had to move faster than the book, but they could've still kept the UK and Moldova, I feel like this would be more important to me if I was British tho tbh, im sure theres aspects of the characters in the book that got messed up when they turned american that i didnt notice. Probably cheaper to film in the USA tho.

- Obviously lacks all of the incredible build up and suspense of the entire first quarter of the book, with Ally seeing the cave on TV and slowly watching it become a bigger and bigger thing, which is one of my favorite things about the book

- Note from ~25 minutes in- better than a quiet place because it starts from the beginning, although I've heard the quiet place 2 provides a lot more context, maybe it's a ouija situation

- FUCKING HATE THAT THEY CHANGED 'HE WANTS ALLY FOR HER SIGN LANGUAGE AND SEES HER AS A FUCKED UP SAVIOR' INTO 'THE GIRL IS FERTILE' THATS SO FUCKING STUPID WHY WOULD THEY VALUE FERTILITY AT ALL WHEN BABIES ARE IMPOSSIBLE TO HUSH AS A PRE ESTABLISHED FACT THATS JUST GROSS PERVERSION FOR THE SAKE OF SHOCK VALUE INSTEAD OF WHAT ACTUALLY MAKES SENSE FOR THE PLOT

- They also fucked up the order of events with the hushed attacking the house, which fucks up the relevance of the grandmas sacrifice, since they just grabbed Ally again right after

- They also didn't include the smile from grandma to Ally which would've been so so easy to include and imo was a good moment.

- I liked Jude stabbing the guy, can't remember if that was in the book. also didn't like that it was three kidnappers instead of one really big guy who ignored like, a knife wound and being punched repeatedly

- Overall very similar to how I feel about THG movie, although this movie is worse than THG generally, so the concept is amplified. fun to watch because I know the deeper parts, decent basic genre movie, but doesn't have nearly the substance, meaning, or craftsmanship as the book.

- Really wish the beginning had slightly more time to show the doubt the world had when the vesp infestation first started. I think like two or three weeks passed between the Moldova cave incident and the vesps crossing the British channel in the book. There also wasn't time to show all the ways people tried to fight back, the military burning cities while blasting off fireworks, releasing toxic gases, etc. But I think specifically the doubt that was surrounding the vesp infestation in its early stages is a very important part of what makes the book so effective, it shows how people will ignore the things they cant handle, the cognitive dissonance we all have about whats happening in far away countries, it could never happen to us etc

- Really wish Glenn got more screen time and character development, especially in relation to the doubt, but I understand why he didn't. He's the madge of this film (not as bad tho, they did their best with him and the time they had I think)

- Feel pretty much the same about the ending, I get they needed a satisfying conclusion since they knew the odds of a sequel were slim, and the original ending would've been to frustrating for a more general audience.

- Personally though, I would've written it closer to the original, but they make it to the house in Scotland, and there's vague hints about the refuge (and maybe a more solid conclusion on rob somehow) so its like, there's a little open endedness and if they really wanted to do a sequel they could, but its still satisfying and more follows the original storyline. Especially since they totally cut out the plot line of huw and his parents weird relationship and his weird feelings about Scotland.

- Still enjoyed it more than quiet place, though tbf I don't remember that movie very well, I was high as fuck during both movies, and I haven't seen the sequel

- Huws brother and sister, Allys best friend and the lake house woman's machete are all absent, along with the prime Minister announcements (although I guess itd be the president) which I really enjoyed since the governments response is a key component to how a society reacts to catastrophy, which I think is a solid bit of the point of the book

- Basically I want a five hour long extended version that's just a little more book accurate and has slightly better pacing and casting. Just like The Hunger Games, Percy Jackson, and every other book to movie adaptation I've ever seen

[theramseyloft]

Sunday 4/24/22 Report

Physically, significantly better today.

My body isn't doing any of the weird, frightening shit it's been doing the last several days so far.

April, my pet ringneck dove Gordon's wife, passed away in the night between 16 and 18 years of age.

April was never a friendly bird.

It took me a year just to acclimate her to walking past jer and Gordon's shared enclosure.

She came with 15 other birds in February of 2016, back when I was still breeding Ringneck Doves. (For those new here, I stopped breeding Ringnecks after the heart attack and only kept Gordon and his mate because Gordon was my first, and I had hand reared him.)

My first pair of doves, waaaay back in 2011, came from a guy who's entire flock had come from a single pair.

To say they were inbred to fuck was an understatement.

Gordon's initial mate was simultaneously his cousin and his half sibling.

She had just passed from a stroke a few weeks before the surrender of which April was the second oldest.

Gordon had not done well alone.

So I tried pairing a few other hens with him. He attacked them relentlessly on release from his enclosure into a shared room, with no attemp to actually court any of them.

Gordon's original flock had all been white. He'd never seen a dove with any pigment until I started breeding.

I generally tried to avoid breeding white doves at the time because of what they were usually wanted for (Everything from wedding, funeral, and easter release to bird dog bait and sacrifice on two separate occasions.), so I didn't have many white doves on hand at any given time.

The only one I had produced was both related to him and male.

So April's arrival was a Godsend.

He liked her on sight, and started dancing for her as soon as he saw her in her carrier.

She had very good reason to be skittish.

Being albino, she had no pigment anywhere, include her pupils.

Being housed outdoors in full sun, she had retinal burns.

Being kept in a flock (Ringneck Doves are so viciously territorial that you will be able to sex them by their wounds if kept in a flock. Adults should be housed in pairs only.) and almost completely blind, she had gotten accustomed to every sound or movement heralding an attack.

So Gordon was introduced to her in a room away from his enclosure, while April was in a small carrier.

She was not allowed out during visits until she stopped flinching, remained relaxed at the sound of his courtship, and started flirting back.

April was estimated between 10 and 12 when we got her on 2/23/2016.

Gordon hatched 10/2/2011, so he was 4.

It didn't matter to me that April didn't like us.

She liked Gordon, and he was the one who needed her.

I'm not sure what to do for him.

I don't want anymore ringneck doves, but he doesn't deserve to be alone because of that.

I may have a home I can send him to once we're cleared to ship again.

If they can't come get the Dove Palace, I think I'll donate it to whoever can.

I was not able to go with the dear hubby yesterday to get the things I needed from TSC, and I forgot to ask him if he kept the receipt.

But he got 2 50lb. bags of Royal Wing Classic Mix, a 50lb bag of crushed oyster shell, an 8qt food safe plastic bucket for blending meds in, and a little 2 qt aluminum pail for measuring out safflower in by mass.

I have not asked yet if he remembered to keep the receipt, and the oyster shell and one of the bags of Royal Wing Classic Mix have already been emptied into their respective containers.

He did, in fact.

Turns out that the 2qt pail perfectly holds 1kg of Safflower seed.

Poured into the 8qt pail.

Heaped Nystatin measure

Finished blend

Ibis' trend of solid samples continues!

They aren't all solid yet, but there are more and bigger.

As expected, the flock seems quite excited for their medicated Safflower.

The sunflower oil is very fatty, which is one of the few things they can tast, and seems to cover the Nystatin's bitter flavor very well.

[stopeatingwhales]

the 1995 brits (pt. 2) x damon albarn & liam gallagher

ok this has nothing to do with the brits bc now its about glastonbury 1995 i just didn't know whether i should rename it lmaoo okay enjoy x

Pairing: 1995 damon albarn & liam gallagher x reader

Warnings: none at all

Word count: 2.495

part one

༉‧₊˚✧

The Glastonbury festival was always one of the best gatherings for music every year. All the best acts in the music would all be invited to perform, and it was amazing. It formed a unity, a connection between the fans and the artists, the creators and the consumers, morphing an atmosphere which only gentrified the solidarity and wholeness the nation felt when they all held adoration to the same album, same songs, singing the choruses from their hearts, with their whole being. It was a spiritual connection with the audience; you weren’t singing to them, you were singing with them. Nothing got as good as Glastonbury - a concert size any larger you would begin to feel detached with the audience - and boy was it a good feeling to be invited this year. Our band had blown up massively, and to be able to perform on the main stage, celebrating the summer and the true joys that music is able to provide and attain, is more than just doing your part. It’s a humbling experience; the lyrics that may have seemingly been written down as a daft thought on the back of a napkin whilst you were sitting having a coffee, relaxing in the tedious cycle that is life, being chanted back to you, shows the true connection those can have with simple melodies and lyrics. Once it’s released in any format, the music, the lyrics, the melodies, they aren’t yours; just as a book, once released, is not the authors’ anymore. It possesses the ownership of the public, that who purchases it, wears it out, listens to the songs back to back to memorise every single lyric and adlib. The songs become the nation's songs, they become the mere link to a dozen memories of each and every person, which they would take to their grave, remembering the good times, and potentially the bad. The true power of music is that it forms a connection - not just with the artist, but with yourself. You can relate to whatever has been said, you can understand yourself just that bit more which allows you to grow as a person, and mature and better into the person that you were set out to be.

I was standing backstage, currently watching the performance lead by Blur, trying to hide from any form of authority who would know that I wasn’t supposed to be back here yet. My band was on in a few hours, so I wasn’t permitted backstage, the only people allowed being the group that was on next. As I admired the performance being put on by Damon and the rest of the band, mumbling lyrics every now and again of songs that I had known from their albums, I felt an arm snake its way around my waist, the grip of the person’s palm squeezing my hip slightly. “Now how come I haven’t seen your pretty face in a while?” said Liam, who was grinning at me widely.

Since the Brit awards, I forced myself to stop partying as much as I used to, due to the addiction that had been stemming from my consistent use of drugs and alcohol. It began to take its toll on me entirely, and I hated the lifestyle that I had started to inhabit. Sex, booze, drugs... they all seem so wonderful, and seem to be fundamental elements that could provide an enjoyable time, don't they? But with repetitive use of such recreational activities, it would not only initiate the worst hangovers, but would also form a pit of longing in the body, endured with your attempt to fill it up with all the illegal pharmaceuticals to make you feel whole again, but of course, the happiness only lasts for a short while before you’re passed out on a couch, waking up at 5 in the afternoon with a raging headache and the only access to pain medication being a five minute walk to the nearest corner shop because you had finished it all. And to your surprise, the pit only got more deep and paining. It was ironic; the drugs designed for jubilation, euphoria, fulfillment, started to make me feel worse than I had already done previously. “I’ve just been caught up with working on the new album, so I’ve been too focused on that to be going out like I used to,” I replied, a grin masked over my lips. It was far from a lie; my band were currently working on our third album, and it had been quite an interesting experience as we were reinventing our sound, though wasn’t the main reason I had avoided all clubs in sight. “You miss me?”

“Course I do, you’re the only girl I know that’ll go as hard as the rest of the lads,” a frown painted over his face as he looked down on me. “It’s hot, y’know.”

I scoffed, my smile still evident on my face. “Oh Liam, you’re going to make me blush!” I joked, placing my arm around his waist. We both carried on watching the performance being led by Damon, who currently had the crowd screaming over the top of their heads at Girls and Boys. Oasis were on after - even these concerts were chipping in on the mess of their feud. “You nervous?”

“Me? Nervous? Never.” Liam replied, snarling at my question.

“Really?” I asked, diverting my stare to look up at Liam, my eyebrows raised in a sarcastic manner. Even though it wasn’t evident from his facial expression, everybody would be nervous. Especially if you were performing on the main stage in a few minutes.

“Okay, maybe a little bit.” He mumbled, staring at Damon with a look of disgust on his face.

“Knew it,” I grinned, allowing my hand to run up and down his back as a form of comfort to soothe his nerves. The tight grip he kept consistent on my waist proved that he felt tense. “You’ll be amazing, you always are.”

“You hitting on me?” he quickly fired back, cocking his head to the side as he admired me, his gaze flicking to my lips every now and again.

“Of course I am.” I sarcastically replied, rolling my eyes at Liam’s child-like characteristics. By now Blur had finished their set, leaving the crowd screaming and waving things in the air as a form of goodbye. Me and Liam stayed put in our place as the four boys waltzed off the stage, me congratulating them as they walked off one by one. Damon was the last to walk off, and as he began strolling off the stage proudly, our eyes connected, causing me to dart my stare away from his robust glare that had reflected off of his orbs. Knowing of his distaste in Liam, I brushed it off immediately, remembering the pettiness of their argument the last time we had all been together at the Brits. I heard Liam utter some profanity under his breath after Damon walked past us, but I chose not to question him on it, full-well knowing it was either wanker or cunt.

When the rest of the band turned up and Oasis were on cue to go on, Liam quickly detached himself from our embrace, pressing his lips to my cheek, grinning at me widely. “Don’t miss me too much!” he shouted as he walked onto the stage, causing the crowd to erupt into a fit from the mere sight of the band getting themselves ready - Liam just standing there cooly, picking up the tambourine left on the floor for him. I marvelled at the band as they began their set, instantly grinning as soon as Liam began singing the lyrics to Rock n Roll star. Let’s hope he’s not walking off stage this time.

I continued to concentrate on their performance, oftentimes laughing as the crowd progressively got more and more rowdy, screaming the lyrics as Liam sang them, as if Noel’s backing vocals weren’t enough to keep the song going to its full potential. “I wonder when you’re going to realise that you like me.” I heard a voice mutter from behind, causing me to abruptly turn my head, even though I knew exactly who it was. My eyes were greeted with the sight of Damon, a small smirk illustrated on his lips as he glued his eyes on mine - just like he had done before when he walked past me and Liam.

“I’m sorry?” I scoffed, raising my eyebrows at his clearly egotistical assumption, though I couldn’t help but resist a smile to contract on my cheeks as I gazed at him. Much like me and Liam, we also hadn’t spoken since the Brit awards, and it would’ve been a lie if I hadn’t wanted to talk to him again. Despite the fact that there was a certain tension between us that, from each meeting, seemed to intensify, and was something we were both clearly aware of, I ignored it entirely - even if my bandmates had teased me religiously every time they saw me have an encounter with him. Go out with him already! You two are constantly flirting!

Moving away from where I was standing, I made my way over to him to be able to talk over the loud music seeping out of the speakers, instead of shouting at one another. We then exited the backstage area together, welcoming us to the view of a plain grassland where a couple trailers had been parked, both of our bands included. Eventually, we walked to one of the random trailers, assuming it was his one, and stood against the shiny metal impediment as we shared a cigarette.

“Don’t act like it’s not true,” he replied casually, him reciprocating my grin as we began to walk further into the backstage space. “I saw the way you were eyeing me.”

“I don’t know what you’re talking about.” I replied, attempting to act oblivious towards his statement. I could feel him gawking, focused on me as I admired the blooming sunlight that casted out towards us, the light so bright that it caused my eyes to tear up slightly. The music was still very much audible, and the screams of the many thousands jammed together in the mosh pit were still extremely loud.

“Oh, but you do.” he mumbled, causing me to shift my view to look at him. He had now fixated his stare onto the sun, the cigarette softly placed between his lips as he inhaled quickly before taking it out and allowing the built-up smoke from his lungs to escape into the atmosphere. Dropping the tobacco roll onto the ground, he placed his foot over it in order to burn it out, then turning his head to fixate his gaze onto mine. A brief moment of silence passed as we admired one another, the atmosphere carrying an element of apprehension as to what was about to occur between us. Through my peripheral I saw moving his body slightly to come closer to mine as he lifted his back off the metal surface and stood in front of me, my gaze not daring to leave him. Our eyes maintained strong eye contact as I felt my cheeks began to heat up furiously, followed by my attempt on telling myself that it was simply due to the sun’s radiance that my face held such warmth, almost as if to doubt the feelings, the tensions that had constantly piled up every time we had seen one another.

Our noses touched as our faces then became inches apart, my eyes focused on Damon, who kept darting his eyes to my lips every few seconds. Tilting his head slightly, he leaned his body forward, softly pressing his lips onto mine. We stood there for a few seconds, to allow the moment to truly sink in. His hands were gently placed on my waist as I placed them on his arms, like a form of support to allow myself to stay upright. After a while, I snaked my hands around his neck in order to deepen the kiss, the warmth of his lips colliding against mine sending shocks all around my body - the moment didn’t feel real at all. It was as if this entire time of me knowing of him, interacting with him, being in his presence, I had attempted to avoid myself catching feelings, not getting myself engraved in a situation with another musician, but due to my mind forcing such a hindrance, it became an inevitability - I caught feelings for Damon Albarn.

As we pulled away to catch our breaths, Damon leaned back, sneaking his arms around my waist as he looked down on me. “You liked that.”

“Shut up.”

“Can’t wait for Liam to find out about this.” he grinned, playing with strands of my hair as I glared at him. I knew he was aware of the glare I was giving him, because he seemingly began to grin even wider.

“He won’t, because you’re not going to tell him.” I replied bluntly, placing my hands on his chest as I began to draw little circles over his shirt. It felt so surreal, yet so normal - there was a certain amenity shared between us proving that what was felt in the past was indeed real, and indeed reciprocated.

“Always knew you’d give in one day.” he mumbled, a devilish grin painted on his lips.

“Really?” I scoffed. “Even when the tabloids were convinced me and Gallagher were an item?” I asked, staring straight into his eyes. I noticed him frown slightly after the question left my mouth, my lips attempting to form into a smile as I broke off his smug persona.

“Well it looks like you’ve left Liam to be with me.” he grinned, our eyes connecting once again. I took his hand away from my hair to interlace it with mine, holding it close to my chest for Damon to be able to feel my heartbeat. Even though anybody could have opened their trailer door and witnessed us in such an affectionate state, none of that seemingly mattered to either one of us. Everything that had occurred between me and Damon felt so perfect, to the point that I would want somebody to come and witness the true beauty of this moment. There was a strong feeling in my chest that I wanted him to feel, to understand, that what was occurring between us truly meant something, and wasn’t just a silly little play to mess with my feelings.

“Liam’s not that bad you know.”

“I’m just joking, love, don’t worry.” he mumbled, bringing our interlaced hands to his face to allow him to kiss the back of my hand. “You wanna go get something to eat before you head on?”

“Sure, I’d love to.” I said, forcing us to detach our bodies from our embrace and walk over to one of the food stalls, hand in hand.

[fermented-writers-block]

PART 1 of 6 of the Owl Deity Hooty Theory

[NEXT PART]

[OWL DEITY HOOTY THEORY MASTERPOST] (in development)

(TLDR at bottom of post)

Over several long months of research and analysis since March of 2020, I have been following an utterly fascinating thread of potential misdirection and subtle details throughout The Owl House, and today, I would like to start weaving together of what I believe could become one of the biggest and most cleverly disguised twists in the entire show.

To begin, let’s take a look at the B plot of Understanding Willow:

On first glance, it’s an ultimately inconsequential sidestory with the sole purpose of justifying an excuse to keep Luz and Amity in Willow’s mind, as well as providing some well-needed room to breathe and release tension after the veryemotionally charged confrontation with Inner Willow. After half an episode of Eda and King outdoing the other in ridiculous ways to win Gus’ vote and Gus running off in frustration at the end of the episode from Hooty’s inane rambling, it’s easy to laugh off Gus’ pick and assume that nothing/of value was said when he closed the door for the interview.

However, if one pays close attention to that very scene, Hooty actually canstill be heard (if faintly) underneath Eda and King’s grumbling, interestingly talking about how “It all started with a hunt. Blood red skies. That’s right, I was created-.”

Now, while it may seem silly to focus on dialogue from Hooty of all characters, this A) tells us that there was an event in the past involving blood red skies and a hunt of some kind, B) that Hooty had been created close to said event, and C) implies that what he knows but can’t tell as a story worth a damn is EXTREMELY important to be included and be hidden in such a manner.

For comparison, the only other instance of dialogue being tucked away in the background in the entire show is in Wing It Like Witches:

During the lecture at the beginning of the episode, the history teacher openswith lore on Belos appointing a head witch to each coven over 50 years ago, immediately cluing in the audience to try and decipher the rest of the lecture as it moves to the background. Adding to this is how the musical sting when Luz shows off her movie obscures what he says even further, making it even more of a intriguing puzzle that the creators clearly intended for viewers to pick up on and attempt to solve.

In contrast, the hidden dialogue of Hooty’s interview is much shorter and not as hard to decipher as the teacher’s history lesson, but at the same time, there are few to no indicators whatsoever in that scene to clue in the audience to even check for something like that. It comes at the end of an episode where most viewers would have been paradoxically tired out and driven abuzz by the revelations of Amity and Willow’s relationship, doesn’t attempt to draw much attention to itself, and frames itself as a comedic subversion of audience expectations with neither the “greatest witch who ever lived” or the self-proclaimed king of demons being picked by Gus.

Instead, he picks someone that the show portrays constantly as an oblivious and gullible idiot after being described as a “state of the art defense system” at the very beginning of the series. Someone who, despite it being played for laughs, is scarily capable of casually subduing Lilith offscreen one episode and then beating her and an entire squad of Emperor’s Coven members without even the slightest change in personality or temperament.

Someone who, due to being the Owl House itself, could be considered the titular character of the entire show, yet is taken for granted by those who inhabit him and barely gets any respect from even the cutely patronized King - including when Hooty could be interpreted as having potentially been full on DEAD for a time given the use of extremely cartoony X eyes and a lack of vital signs in The Intruder.

And someone who Eda at best tolerates and at worst abandons in personal interactions and only occasionally acknowledges him when he’s actually doing his job. Yet at the same time is so implicitly trusted beyondprotecting her home to the point where - when up against the closest person Eda has to an equal outside of likely Belos - the only actually recognizable spells Eda used in combat were 1) stereotypical energy blasts, 2) a single shield spell in Covention, and 3) a noticeably large reliance on imitations of Hooty above any other spells she could have decided to use instead.

In short, the show repeatedly tells us he is just an idiotic gag character through and through, but at the same time demonstrates he has immense power through both onscreen and offscreen demonstrations, implicitly tells us his importance ahead of time through Eda’s imitations in actually serious situations, and treats his interview and origin story as - if not even more- important to keep secret than a long lore dump about how Belos’ reign works.

After all, there being only two instances of hidden background dialogue in the entire season is already intriguing on its own, but for one to get plenty of clues to draw in people’s attention and for the other to be treated as just another gag about a “mere comic relief character” - aka a good way to draw away attention and lower one’s guard - heavily suggests a far deeper significance buried under layers of misdirection, comedy, and conditioned audience expectations.

I mean, when Eda bragged about being “a bad girl living in a secret fortress,” Hooty followed with a remark about how “I’m the secret.” While that line may sound like Hooty simply being confused as part of a one-off on the surface, it’s an odd dialogue choice for the writers to pick when you think about all the other reminders of his nature as the house itself throughout the season. With the precedent these moments set, it would have been much more appropriate for him to latch onto the “fortress” side of “secret fortress” AND it would have been just as equally funny of a joke about his awareness skills, but instead, Hooty broke away from the established trend to say something that would make people suspicious were it to come from anyone else.

In a way, this reminds me much of the many subtle bits of foreshadowing strewn across the show, like Luz unknowingly describing Amity in Witches Before Wizards and Eda burning a hole through Luz’s coven type quiz that coincidentally selected the same track she had taken at Hexside as “a punky potionist.” At the time of airing, these initially seemed like one-off jokes, but eventually came back in full force several episodes later with Amity’s hidden sensitive feelings and love for the Azura books becoming clear in Lost in Language, and the reveal of Eda’s school track in Something Ventured, Someone Framed with her school misdemeanor pictures.

That said, compared to these individual bits of minor foreshadowing, the jokes about Hooty in Understanding Willow appear to simply be the most obvious pieces in a giant puzzle, implicitly and outright telling attentive viewers that there’s a major mystery to be uncovered here.

In fact, I feel bold enough to say that we could be looking at a twist on a similar scale to that of the Pink Diamond/Rose Quartz and Stanford Pines twists in Steven Universe and Gravity Falls respectively, what with this particular puzzle piece coming from how Gus wanted to make THE greatest interview of all time, and how he was looking for someone who was “interesting, accomplished, AND noteworthy:”

Note the emphasis on the ‘and’ here, as Gus had made a big deal that “people aren’t meantto be all those things” at the beginning of the episode, so as a result, stripping away all the comedic framing of his subplot leaves the intriguing implication that whoever - and, perhaps, what- Hooty is, they really are the most interesting, accomplished, AND noteworthy person out of everyone.

I could go further and talk about why I suspect the mystery surrounding King’s origins, whether true or not, is partially meant to misdirect us from paying attention to Hooty, or how the TOH crew’s could be disguising legitimate clues to his nature among made up and highly meme-able joke answers in order to proliferate said concepts throughout the fandom - thus letting us do all the dirty work of getting ourselves used to the ideas and used to dismissing them at the same time - but to bring things to a close for now, I’d like to leave you all with a question that I’ll start answering next time:

What does it mean when both the most powerful and notorious witch on the Boiling Isles and the possible actual king of demons/the Titan itself/something don’t match up to a house? And what do you think it is that makes him so special to warrant such misdirection?

TLDR: Between Eda’s golem spells, the show stressing his nature as the titular house, his implicit strength, and the odd dialogue and structure of Understanding Willow‘s subplot in relation to him, I believe I have good reason to suspect the show has been giving us many hints towards Hooty being much, much more important than it would like us to currently believe or even joke about. Particularly, through clever uses of comedy to establish and enforce a strong audience bias against looking closely at him or unironically taking him seriously, and to potentially plant the seeds for something I will start exploring in Part 2.

[fleetwoodmak99]

Long Past Dawn

Eric Draven x reader

This is requested from @sister-morticia "Hi!! Can I please request an Eric Draven x reader whump with lots of hurt and comfort/worried!Eric? I need some caring fluff! Thank you!! ☺️" I had so much fun working on this!!! I'll be posting a part 2 as hcs of the aftermath soon. It will focus more on the comforting aspects. Also I’m really sorry this is long. 

WARNINGS: Panic attacks, hyperventilating, serious wounds, gun violence, mentions of blood, depression, talks of deep sadness, death, resurrection, paranoia, explosions, and fainting.

SUMMARY: It has been a year since you lost your lover, Eric Draven. While you have managed to get by, it has been extremely difficult. After having a particularly hard night, you decide it might be a good idea to go for a walk to release some steam, only to fall upon a danger situation.

Its been a entire year since you had lost the love of your life, Eric Draven.

It was around Halloween. The leaves on the trees were starting to change from green to orange and yellow as the air turned cool.

Halloween used to be Eric’s favorite time of the year. Always making a big deal about it with lots of horror movie marathons and tons of candy. Now, you had none of that.

No celebrating, no watching horror movies all night, no eating a bunch of candy, no Eric.

Even though it had been a whole year since that dark night, it still haunted your every waking thought.

Every day seemed to bring a new struggle. The worst of it being at night. The pain of losing Eric broke you down to the point where you could do nothing but spend most nights crying.

Anxiety making itself known at every turn. Always worried that the men responsible for taking the life of your lover and leaving you for dead will one day realize you aren't and come after you.

Memories of that night plagued your dreams often. Seeing flashes of T-Birds gang breaking through the door of your shared apartment and attacking you while you were cooking dinner.

The panic consuming your chest becoming too overpowering as you relived that night over and over again. Jolting awake in a pile of sweat when it became too much. Feeling your stomach turn to the sickening thoughts roaming around in your head.

You tried to calm your thoughts. You really did. But the terror that filled your chest was too powerful.

A strong force making you leave the warmth of your bed in an attempt to ease your mind. Pacing around the room, completely lost in thought.

Are they going to come after me? Will they want to harm me?

The demanding thoughts running through your head was starting to cause a wave of nausea to wash over your body.

No. They don't know you are alive. They would have come after you if they had.

You were lucky enough to get Sergeant Albrecht assigned to your case. He was the only one on the force who was kind to you.

Albrecht helped you stay under the radar until you were able to get enough money to move far, far away. The main problem being that you couldn't find a good steady income that would get you out of this hell hole while not blowing your cover, creating the never ending cycle of being trapped in the city. Being doomed to live here forever with no escape.

Still, you felt an overwhelming ache in your stomach every time you thought of Top Dollar still being out there, controlling most of the violence in the city. Hoping that the brutality won't one day unleash on you.

Knowing that it went against the rules you had started following in an attempt to protect yourself further, you decided it might be a good idea to go for a quick late night walk. Noting the dangers of what you might be doing, but it was your last attempt to ease your anxieties and distract you from the pain.

Hoping that the fresh cool air will be a jolt to your system, you grabbed a light jacket and black high tops, placing it over your pajamas and venturing out into the night.

Stepping out of the safety of the apartment building and into the bitter cold. Feeling the tip of your fingers and toes already starting to turn into ice. Still, you were determined to complete your walk as it has always been a good way of distraction you from your intrusive thoughts.

With that being said, the streets of Detroit certainly looked different at night. Feeling a thick layer of sorrow and rage in the air. It being so thick it became difficult to breath.

Choosing to ignore it, you kept walking.

A smile spreading across your lips when you see a group of children in Halloween costumes running with bags of candy in their hands, laughing as they did so.

Curiosity taking over as to why children would be out this late on Devil’s Night. Seeing as you did much worse things when you were a kid, you let it slide.

Either way, you began to have doubts if this was a good idea, deciding it might be time to head back and hide from the world once more.

Turning around and walking the other way, you could already feel a wave of relief washing over you as you made your way back only for your heart to be ripped out of your chest when a booming explosion erupted just up the road. A burst of light blinding you as the ground rumbled.

The sudden event sending you onto the ground, holding your heads up to your head in an attempt to protect yourself from the eruption.

Trying your best to focus on what exactly was happening as the light started to dim into small flames and a bundle of smoke coming from an old abandoned building.

At first, you wanted to run the other way. Knowing that this was most likely the work of Top Dollar or some other big mob boss trying to cause some havoc in an already broken city.

Yet when you tried to get up, you remained planted on the ground. Your body being completely immobilized and without breath.

As you tried getting your strength back, you started to hear a faint scream coming from up the road. Your thoughts immediately going to the children you had seen giggling to each other just moments ago.

You tried remembering which way they had went. Hoping that they were far away from the building now engulfed in flames but after hearing more yelling, you knew you had to make sure no one was hurt or worse.

With a new found determination, you felt yourself starting to grow stronger, experiencing a rush of adrenaline fueling your body.

This time when attempting to get up, you were able to get onto your feet. Your legs still feeling weak, you forced yourself not to waste time and move towards the very thing you made you shake.

Getting closer to the fire, you could start to feel the heat coming from the flames. Inspecting the building, you couldn't see anyone inside. In fact, you couldn't see anyone at all.

You thought for sure the police or at least the fire department would be on their way considering it was a Devil’s Night tradition for the whole city to burn. Yet no one was there. It was almost unnatural.

You were pulled from your thoughts when you heard not a scream but groaning, murmuring and the collusion of masses coming from the back side of another building. 

With caution, you started to make your way towards the sounds. Leaning on another building for support, gaining distance from the heat.

Hearing the unknown sounds starting to grow louder and louder, you could see the silhouette of different bodies laying on the ground. You didn't know if they were dead or unconscious.

Deciding to grab a nearby wooden stick. Just in case.

Two men suddenly bursting in front of you, struggling against each other. They rolled around the dirt floor, one trying to get the upper hand on the other. Both eventually getting up and starting to throw hands. 

You couldn't decide whether to intervene and try to break them up or start running, but once again your body worked against you. Forcing your mind to turn blank and stay in place. Making you now watch the whole thing go down.

At first glance, you couldn't recognized who the men were yet you couldn't help the strange feeling that you were meant to be here. Somehow this was related to you. You felt it deep down.

You tried analyzing them as they continued, trying your best not to be seen.

One of the men was a lot shorter than the other and had greasy shaggy dark brown hair underneath a worn out black knit hat with baggy clothes.

While the other one taller, and more muscular. Mostly wearing tight fit leather. His dark brown hair was longer than the other one, resting just above his shoulders. Black and white paint covering his face as some type of mask.

His hits being more calculated and precise going against the others, who was becoming more and more sloppy by the minute.

As the two men start to taunt each other. Somehow neither seemed to notice you as you stood there in fear. Your heart sinking when you hear one of the men starting to speak. You recognized that voice, clear as day.

The short man was Skank. He was apart of T-Bird's gang, who worked for none other than Top Dollar.

Shit. You need to leave now.

Finally, you were able to slowly make yourself move backwards as your feet stumbled on themselves. You tried your best not to make any noise, not even risking breathing. You couldn't help your eyes from being glued to them.

"I-I know you. You're that guy we had to straighten out cause you and your partner were protesting Top Dollar's tenant relocation program. B-But you're supposed to be dead. We killed you, dead." Skank mumbled, slightly laughing in disbelief at the end.

This made you stop. Your body turning cold.

You knew exactly what he was talking about. Remember a few months before the attack, gathering other tenants to protest. But that wasn't what was making your nerves go wild.

It was who Skank was fighting with.

No. There was no way. He has to be talking about someone else.

You didn't even want to think of the possibility of seeing Eric again. Knowing that there was no possible way that could ever happen.

But why did he look so familiar? When you heard the strangers voice, deep down you knew.

"I guess not all things that die, stay dead." His voice was deep and raspy, showing off his classic sarcasm that reminded you of Eric before his death.

How could this be happening? There was no way that could be Eric. No way.

As your thoughts battled it out in your head as to if this was a dream or not, Skank began to laugh hysterically like he was losing his mind as well. Slowly starting to move his hand behind his back to retrieve the loaded gun resting on his waistband.

While you hadn't noticed, Eric did. Giving off an eerie smile before springing into action, darting right for Skank.

Not being quick enough as a gun shot ring out, causing you to let out a small shriek. Placing your hands upon your ears in an attempt to shelter them from the sharp pain booming through it. Dropping the wooden stick in the process. Closing your eyes to try and hid yourself, knowing fully well that it was useless.

Not being able to contain your breath anymore, you started to hyperventilate. Trying your best to get your breath under control but finding it almost impossible as it kept escaping you.

Not even realizing that the two men had turned their attention to you. Eric taking a second glance as he couldn't believe his eye. He was in complete disbelief that it was you standing right there. Eric assumed you died as well that night, seeing you there made his blood drain from his face.

As the pain in your ears started to die down, you slowly forced your eyes open. Blinking a few times before getting a clear picture as to what was going on. Seeing the two men wrestling to take control of the gun. Eric grabbing at Skank's face, trying to block his vision. Somehow Eric seemed completely fine for being just fired upon.

Was he hit at all? Was he hurt?

Panic fueling your body to run but when you looked at Eric, you knew that wasn't going to be possible.

Now you needed answers.

What was he doing here? How is he alive? How long has he been alive? A day? The whole year?

Not knowing if it was the sense of curiosity or the excitement of seeing Eric in the flesh that made your heart pound. Being completely convinced that this was all just a dream. 

Hearing another bang piercing through your ears once again, causing your body to flinch out of instinct. All this followed by a tight pressure coming from the side of your thigh. Even though it wasn’t painful, it was still enough to send your body to the cold ground. 

At first not realizing why until you began to see a pool of red liquid starting to collect underneath your leg. Knowing fully well now that you were Skank's target. Lucky for you, he has terrible aim. 

Hearing who you assumed to be Eric and Shank struggle against each other once again but you couldn't find the courage to look away from your wound.

Now feeling a strong burning sensation beginning to form on the right side of your thigh, pinpointing exactly where a bullet had ripped itself through your leg. Leaving a nickel sized hole in its place.

Quickly placing your hand on it, in an attempt to somehow ease the intense feeling that throbbed through your entire leg. Feeling a wet sticky substance slipping through your fingers.

Your body starting to jitter uncontrollably as darkness began to form around the edges of your vision. The world starting to go blurry around you.

A comforting hand suddenly resting on top of yours, causing you to jerk yourself back. Only for you to make eye contact with the worried gray eyes of Eric.

A sense of relief washing over you, a small smile resting on your lips. Quickly fading, when he applied a slight pressure to your injury, trying to stop the bleeding. Causing the pain to become more intense.

Your thoughts moving to Skank, hoping he was no longer a threat. You scanned the area, your sight landing on him running down the alleyway and disappearing as he rounded the corner of a building. Your vision starting to become more and more faint as you tried to focus.

You felt a gentle hand caressing your cheek, pulling your sight back to Eric.

"I need you to stay awake, y/n." You could hear the panic in Eric’s voice.

You tried to respond.

You wanted to tell him you were trying, that you missed him, that you loved him. Yet nothing but a slight whine came out.

The energy starting to leave your body as a dull ache started to form at the back of your head. Losing all control off your body as it went limp.

The darkness completely consuming your vision as your heart pounded.

Eventually not fighting it anymore and allowing sleep to take over as the world disappeared. The last thing you remembered was hearing Eric calling your name.

[makeste]

BnHA Chapter 291: The Endeavor Pamphlet

Previously on BnHA: Dabi showed up atop Gigantomachia’s back and was all “you’ll never guess who I really am!” and the readers humored him and were all “who?” and he was all “TODOROKI TOUYA” and we were all “WOW └(・。・)┘ OH MY GOSH I WOULD NEVER HAVE GUESSED”, except for Shouto and Enji who were GENUINELY SHOCKED. Anyway so Touya was all “and guess what I’m doing right now!” and before anyone could even try, he was all, “STREAMING MY EMMY-NOMINATED MINISERIES ‘HELLO, I’M EVIL BUT ALSO TRAGIC AND SEXY, NOW LET ME TELL YOU ALL ABOUT MY DAD WHO SUCKS’’, THAT’S WHAT.” And everyone was all “oh my god” and Touya was all “ヽ(⌐■_■)ノ♪” for basically the rest of the chapter, and that’s pretty much it! Oh, wait, except for the part where he also doused himself in bleach in a fit of pure theatrics, which is actually pretty much the main takeaway from the entire chapter really because it was just wild af. ANYWAYS.

Today on BnHA: Horikoshi introduces Baby Touya, the world’s most enchantingly sweet character, and is immediately all, “I sure can’t wait to tell you guys all about how his fucking jaw burnt off.” Thankfully he doesn’t (YET), and we cut back to the present pretty quickly, where Dabi explains how he took all of his brain cells that should have been used to stop him from pouring bleach over his head, and instead put them all toward his big brain plot of releasing an elaborate video detailing Endeavor’s various abuses and crimes, and even throwing Hawks under the bus as well because WHY NOT. He then leaps off of Gigantomachia’s back (like I said, no brain cells) all set to blast them with a Prominence Burn, only to be stopped by none other than THE LEGEND HIMSELF, MOTHERFUCKING BEST, PRETTIEST, NICEST, MOST OUTSTANDING MOTHERFUCKING JEANIST. Who’s no doubt outraged by the crime against hair he witnessed only moments earlier. GO GETTIM JEANY BOI.

so I haven’t had time to answer any of them because this has been the stupidest week, but I just wanted to tell you guys that I received no fewer than nine asks about Dabi’s hair. which, in a week filled with election memes and tumblr’s most cursed fandom briefly rising back up from the dead, is a pretty impressive feat for him if you ask me. like, I know I was making fun of it basically nonstop, but it sure did generate a lot of discussion so maybe I should rethink my opinions on Dabi’s PR strategies now, idk

anyway. it’s Saturday. time to catch up on this shit. let’s see how fucked the Todorokis are

OH NO HE’S CUTE

HOLY SHIT THIS IS TOO MUCH TO FUCKING PROCESS. I’M JUST TRYING TO ENJOY MY DAY HORIKOSHI, ARE YOU REALLY GOING TO TRAUMATIZE THIS POOR CHILD RIGHT IN FRONT OF MY SALAD

“thanks for being all right” the fuck

who allowed this child to be so cute. I’m serious. who signed off on this

how could a child this adorable possibly want to murder his equally adorable baby brother. please, your honor. there must be some mistake here

guess how prepared I am to read all about Touya’s tragic past. mm. that’s right. zero ready. none ready

anyway. TWO THOUSAND DEGREES LOLOLOL. NO TRACE OF A CORPSE HOW CONVENIENT. A PIECE OF HIS LOWER JAW BONE FFFFMSGHKLSh. LOVELY. LOVELY

LMAOOOOO

listen you guys. I just want to take a moment to appreciate that Horikoshi Kouhei did one of two things here. either (1) he planned it out FROM THE VERY START that Touya would be born with red hair Because Fire Powers, but would then have his hair turn white due to trauma, thus making the Dabi/Touya connection very slightly less obvious, although Let’s Be Real Who Are We Kidding. OR, (2) the anime got it wrong and gave him red hair, and rather than allowing this plot hole to continue to exist, Horikoshi took it upon himself to concoct this elaborate storyline and pretend it was never a plot hole at all! in which case I sure hope someone at Bones is sending him a VERY nice Christmas card this year. got this man sweeping up all your messes for you. you’re just lucky he has some sort of wild compulsion to address these things

anyways!!

FATHER AND SON. how sweet. :| still zero percent ready for any of this btw

STOP BEING CUTE

THIS IS RIDICULOUS. I’M SO MAD RIGHT NOW. HE IS THE SINGLE CUTEST CHARACTER IN THE ENTIRE SERIES, and do you even know how many other baby characters I’m betraying in order to say that?! baby Kacchan, baby Deku, baby Ochako, baby Shouto, Eri, baby Hawks. I’M LOOKING YOU DEAD IN THE EYE RIGHT NOW AND TELLING YOU THAT BABY TOUYA IS CUTER THAN ALL OF THOSE PLEBS. AND YOU’RE LOOKING BACK AT ME RIGHT NOW ALL “YEAH IT SURE IS A PITY ABOUT HIS JAW MELTING OFF THOUGH.” THAT’S IT, I QUIT THE SERIES

and Enji’s smiling at him. he’s so proud of him. but then Touya won’t be able to do it, and Enji’s gonna stop training him, and Touya’s gonna feel like a failure and keep pushing himself in order to try and win his dad’s affections back, because that’s all kids fucking want, all they want is just love, that’s fucking it, you couldn’t just give him that?? and then he’s gonna immolate himself fflkdlskfh THERE YOU SEE HORIKOSHI, I KNOW THE WHOLE STORY ALREADY, YOU DON’T HAVE TO DO THE WHOLE “SHOW THEM THE DEAD DOG” THING YET AGAIN YOU PIECE OF SHIT

OH SNAP THERE GOES THE TWIN THEORY. R.I.P.

BABY FUYUMI. PRETTY CUTE. NOT AS CUTE AS TOUYA THOUGH. HEY LOOK, NO REASON TO GET MAD AT ME I’M JUST STATING A FACT HERE

YEAH THIS IS GONNA GO REAL WELL OH BOY

I keep pressing the emergency stop button but this industrial tragedy machine just keeps on chugging along anyway, I’m pretty sure this thing is not up to code

:| I am so sorry sweet boy, Horikoshi is only getting started with you

FUCKING HELL WITH THIS NARRATION

but he wasn’t actually a child to you, he was just a little puppet child for you to live vicariously through!! and then you went and did the same fucking thing with Shouto afterwards and never learned your lesson until just six months ago!! fucking hell, Enji

so now he’s all “Touya is dead, that’s an unforgivable lie” fflkdhflk motherfucker does he look dead to you. if you really think that, tumblr and twitter have got a little over five years’ worth of archived theory posts to show you

oh shit Touya’s countering with “it’s an unforgivable truth”, which, damn. I actually think Horikoshi’s dialogue is one of his weaker points as a writer a lot of the time, but that comeback was snappy as fuck

actually guys, now that I’ve seen how ridiculously fucking cute baby!Touya was, I can almost understand why Shouto and Enji never put the pieces together before lol. any passing similarities would have easily been dismissed on account of he’d need to be at least 10x more adorable in order to get the full resemblance

OH MY GOD

NOW YOU SLEEP??? SO YOU POINT BLANK REFUSED TO PASS OUT WHILE YOU WERE BUSY MAIMING ALL OF MY FAVORITE CHARACTERS, BUT NOW THAT THERE’S AN OPPORTUNITY TO SEE YOUR REACTION TO THE “YOUR LIEUTENANT WAS SECRETLY RELATED TO ONE OF YOUR WORST ENEMIES THE WHOLE TIME” BOMBSHELL, YOU FINALLY DECIDE TO GET YOUR FORTY WINKS. I SEE

WOW DABI

I’M SURPRISED YOU DIDN’T ALREADY HAVE YOUR ANCESTRY.COM RESULTS PRINTOUT READY TO FOLD INTO A PAPER AIRPLANE AND ZOOM ON DOWN TO HIM

LOL NEVERMIND

gotta say, so far The Endeavor Pamphlet is just about as spicy as I could have hoped

(ETA: Natsuo’s face as he watches his beloved dead brother come back to life only to literally and metaphorically set everything on fire in one fell swoop is :/. why must you do this to me Natsu. can’t you see I’m trying to throw a Welcome Back Jeanist party here.)

HAVE YOU READ THIS?! TODOROKI ENJI ABUSED HIS OWN HEIR, AND DABI WROTE IT DOWN RIGHT THERE

WELL HE’S NEVER GON’ BE NUMBER ONE NOW / NEVER GON’ BE NUMBER ONE NOW / THAT’S ONE LESS THING TO WORRY ABOUT / THAT’S ONE LESS THING TO WORRY ABOUT

btw I neglected to mention this last week, but yes I do recognize and appreciate that this is Can’t Ya See-kun himself whom Horikoshi has chosen to be the face of this existential crisis which the general public is about to experience. rip CYS-kun

OOF

excuse me. putting aside the implications of Dabi sharing this context-less murder video of Hawks with the entire world for a moment, I just have to pause for a sec here, because when exactly did he get a chance to edit this all in?? complete with voiceover that seamlessly ties in with the prerecorded footage of him with DNA test results sans shirt?? you’re telling me this motherfucker, with all the smoke that was in the room thanks to his own quirk, somehow got a PERFECT SHOT of the PRECISE MOMENT when Hawks drove his feather knife into Jin’s back, using his MAGIC CAMERA THAT HE I GUESS HAD THE ENTIRE TIME IN THE POUCH RIGHT NEXT TO HIS BLEACH BOTTLE, and then immediately somehow got this very next shot as well FROM AN ENTIRELY DIFFERENT ANGLE

ALL THE WHILE IMMEDIATELY RUNNING THROUGH SCRIPT REVISIONS IN HIS HEAD, WHICH HE THEN PROCEEDED TO RECORD... WHERE, EXACTLY?? WITH SKEPTIC, WHILST RIDING ON MACHIA’S BACK??

AND THIS IS ALL YOU HAVE TO SAY FOR YOURSELF???

and this after I just wrote that whole long paragraph positively GLOWING about this man’s ability to plug up a plot hole. jfc. just scratch out every damn word I said lol. just forget all of it

are you fucking kidding me, the footage was from the cameras Skeptic planted on Hawks??

that’s... actually... okay you know what, it still doesn’t make any sense in the slightest, but the determination to address it nonetheless... just, dammit... I feel like I’m constantly at war with myself over whether or not I want to shake this man’s hand or slap him lmao. whatever, then!!

anyway, since Shouto and Enji can’t actually see the damage that Touya is dealing to the hero industry even as they speak, Touya is taking it upon himself to give them the highlights

I think it’s a testament to how much Endeavor cares about Hawks that he managed to zero in on that comment even amidst all the craziness of his eldest son returning from the dead to announce how he’s been carefully plotting their destruction for years and years. like, he heard “Hawks” and his face immediately went like that. you think he’s worried that Dabi did something to him? because he’d be right to worry lol

so the Endeavor Pamphlet narration is now explaining all about how Hawks totally killed the Number 3 Hero Best Jeanist as well! yep... he sure did... totally...

OH MY GOD WE’RE CUTTING TO HIM AHHHHH

Hawks, that is. lol. not Jeanist. NO, JUST MY POOR HALF-DEAD WINGLESS BABY SON

NOOOOO HIS LITTLE WING STUMPS. BUT SOMEHOW HIS FACIAL HAIR IS STILL INTACT. OH TO BE AN ANIME PRETTY BOY BEING SET ON FIRE. “HEY, TAKE IT EASY, WATCH THE FACE”

EXCUSE ME WHAT

interesting! we suspected as much, I think, with the clues that Ending dropped, and the little flashback right after the name reveal. still not clear how Dabi found out about it though!

looooool okay here we go, breaking out the heavy-handed holier-than-thou shit now

you know, I do find it interesting how trying to model themselves after All Might’s noble Symbol of Peace image has kind of ended up being the heroes’ undoing here. like, I could write a whole essay on this, but what it basically boils down to is that they were all trying too hard to be perfect. All Might went out there and did his thing and was amazing, and so the powers-that-be built an entire system centered around this seemingly-infallible person, and they acted like the system was infallible as well. and so most of the population ended up becoming complacent over the years, and meanwhile the people who were unfortunate enough to fall through the cracks understandably wound up disillusioned and perceiving the heroes as these false idols

anyway, but I think one positive takeaway from this is that the new up-and-coming generation of heroes represent a breakaway from that system. like, imo what we’re witnessing is the downfall of the Perfect Hero, and the rise of the imperfect hero. and this new generation doesn’t shy away from their failures or pretend like they never happened. they pretty much can’t pretend, because their failures are all right out there in the open for everyone to see. Bakugou Katsuki, just to name one example off the top of my very biased head, has had his own personal character journey basically play out right in front of the media’s eyes. his humiliation at the sports festival, his kidnapping by the League, and all of the fallout afterward. this isn’t someone who can ever go out there and convince the world that he’s perfect. but what he can do, instead, is show the world that he’s trying. that he’s trying with everything he has to do his best, to be the best. rather than this untouchable godlike image, it’s instead the image of someone painfully human who is nonetheless striving with everything he’s got to keep moving forward, flaws and all, and work his way to the top

and ultimately I think that’s going to be a much more positive image to send out to the world when all’s said and done. because rather than merely inspiring awe, heroes like that inspire people to take action themselves. or at least that’s what I hope! and not just Bakugou, but the others as well. we’ve got Shouto, whose own personal trauma is being aired in front of the whole nation even as I sit here ranting. we’ve got Deku, who cries at the drop of a hat, and who fought to become a hero despite being quirkless (and I think it’s only a matter of time before that eventually becomes public knowledge as well). tl;dr because I’m getting way too long-winded here, but these kids have effectively been humanized in a way that the old generation never was, and I think that’ll go a long way towards building trust between them and the people they’ll someday be protecting, and inspiring the next generation in hopefully a much healthier way

anyway so where were we. ...oh yes, Dabi was explaining that heroes only protect themselves, and is presumably building up to his grand conclusion of “therefore you should all just let the villains take over and burn down the world”

omfg. YOU GUYS

DOES CAN’T YA SEE-KUN’S SHARK FRIEND ACTUALLY CALL HIM “CAN’T YA SEE-KUN.” HE HAS A NAME YOU KNOW!! UNLESS HE LEGALLY GOT HIS NAME CHANGED TO CAN’T YA SEE-KUN. OH MY GOD

ALSO, IS THAT CAN’T YA SEE-KUN CRYING IN THE BOTTOM RIGHT THERE OMG. GIVE THIS CHILD A HUG. EVERYONE STOP WHAT YOU’RE DOING RIGHT NOW AND HUG HIM

BAKUGOU IS BARELY HANGING ON THERE LOL. GOTTA STAY CONSCIOUS... SO MUCH TEA BEING SPILLED... FOCUS... CONCENTRATE

IIDA’S ANGLING HIS HEAD IN A WEIRD WAY, LIKE DUDE. LOOKING SUSPICIOUSLY SNUGGLY THERE. MMM THESE IIDABAKU CRUMBS

HADOU IS ALL “WHAT EVEN IS ACTUALLY GOING ON” LMAO

LASTLY, POOR SHOUTO OMFG. WHEN YOU’RE ALL FINISHED HUGGING CYS-KUN THIS CHILD NEEDS YOUR ATTENTION!!

so now Dabi’s leaping off of this ninety-foot-tall gargoyle man like that’s a normal, smart thing to do. unless he can fly too now? saw his dad doing it back at Fukuoka and was all “hmm”

OH MY GOD SOMEONE TELL ME RIGHT NOW WHAT WORD SHOUTO IS USING TO ADDRESS ENJI, THESE TRANSLATIONS LOVE TO MESS WITH MY HEAD

ENJI GET MOVING DO YOU NOT SEE THOSE TEARS!!! SNAP OUT OF IT YOU BIG TREE

AHHHHH

OH KACCHAN YOU WOKE UP A LITTLE MORE THERE, HUH

lol he and Deku both look so determined but they’re basically sitting ducks. their “oh shit” faces do look remarkably like their “TIME TO SWING INTO ACTION” faces but don’t be fooled, they have one good arm and about six pints of blood left between the two of them. looks like this one’s all on you Shouto

-- AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH --

BAH GOD... WHAT’S GOING ON HERE... THAT’S BEST JEANIST’S MUSIC

y’all. can’t even talk right now, my brain has completely shut down lol. just. ...

  °˖✧◝(￣▿￣)◜✧˖°

[manifestoonmoralmanlove]

What will be in my bag? Pre-ordered Manga. Straight and Lez edition.

Here’s a list of English-released manga I’ve currently got on pre-order, and manga series I ordered before but won’t be continuing with the series.

As a note: Some of these titles have been released but I have not received them yet due to a issues with covid backlog effected how things are released.  I personally find that if you pre-order it tends to get you manga quicker.  It seems there is more pressure to keep up with the new release schedule than chip away at the backlog.

I’m starting with the stuff I’ve already read some of and confirmed enjoyment, then stuff I’m shooting in the dark for, and finally series I have tried recently and have discontinued.

Heteros

My Androgynous Boyfriend

Story & Art by: Tamekou      Publisher: Seven Seas

It is rare for straight shit to end up in my library but My Androgynous boyfriend is an exception that will surprise no-one since it’s pretty queer adjacent.  This story is mostly a couple being lovey-dovey between jokes about sexuality and gender but (so far) isn’t problematic at all.  The female lead is quite enjoyable as she’s well-balanced and has agency throughout. There’s even ace representation! It’s very low-stakes, wholesome, and sweet so far. (Volume 3 is set to release in November.)

My Excitement Level: The gentle about to sink into a bubble bath variety

Yuri/Lesbian

Even Though We’re Adults

Story & Art by: Takako Shimura  Publisher: Seven Seas

Takako is also the creator of Sweet Blue Flowers and Wandering son.  I have dipped by toe in to both those series.  I overall find their writing kinda meandering and tepid (might just be me) but technically pretty solid.  I am hopeful for this series since it features adults....if the title didn’t make it obvious.  I was intrigued by the one character being married but the man finding out about the affair quickly and reacting more realistically and interestingly than the average male love interest in a Yuri.  I also found myself relating at bit to Akari’s angst about being unlucky with relationships with women.  I also do enjoy the artwork! This one is the most likely of my followed series to be dropped at some point. (Volume 2 of this manga was set to release in June this year.)

My Excitement Level: Cautious Optimism

For more click the jump!

Kase-san and Yamada

Story & Art by: Hiromi Takashima  Publisher: Seven Seas

This is a series I keep going back to.  While it is the very typical low-stakes bubbly, cutesy School age Yuri...it is a very good version of that.  Just warm bubble bath vibes. (Volume 7 is set to release in February of next year.  I think it was originally supposed to be released this May but was bumped back.)

My Excitement Level: The gentle about to sink into a bubble bath variety

NOW ONTO THE SERIES I HAVEN’T READ BUT I’M TAKING A CHANCE ON!

Adachi and Shimaura

Art: Moke Yuzuhara Story: Hitoma Iruma  Publisher: Yen Press

This, as I understand it, is a slow-burn romance about two delinquent girls.  I have heard good things about the novel and the anime series!  However I prefer manga to novels and don’t have a funimation account so I went to snag it in manga form. (Volume 1 was set to release in February this year and 2 in September)

My Excitement Level: Cautious Optimism

The Girl I want is so handsome!

Story & Art by:Yuama     Publisher: Seven Seas

The premise is a young lady has a crush on a handsome older girl who’s oblivious to her advances.  When she tries to confess she instead gets roped into being the club manager of the basketball team that her crush is a part of.  So it feels like it may end up cycling through 2 jokes and be so deep in the stereotypical manga bullshit you can easily-predict its beats volumes in advance. HOWEVER that is also a premise that is similar to Monthly Girls' Nozaki-kun which is legitimately a hilarious series. Also I fucking love butch/stud/masc-presenting women/AFAB people.  So I’m willing to risk “The same Anime bullshit” for good jokes and a cute lezzy romance with a beautiful butch.  (Volume 1 is set to release of December of this year.)

My Excitement Level: Pretty nervous actually.  I hope it works out!

Monologue Woven for You

Story & Art by: Syu Yasaka     Publisher: Seven Seas

A woman gives up on a career in theater gets tangled in a relationship with a woman passionately pursuing theater.  Since it is set between college age women, and appears to be about more personal and mature themes I am interested. (Volume 1 I BELIEVE is supposed to be released in February of next year.)

My Excitement Level: Cautious Optimism

Mizuno and Chayama (No page yet so far as I can tell.)

Story & Art by: Yuhta Nishio     Publisher: Yen Press

Two daughters of feuding families meet in secret.  This is by the same author of After Hours.  I read a bit of After Hours and found it fine but boring since it seemed without conflict.  Conflict doesn’t seem to be in short supply with a story like this!  While I enjoy the sugary-sweet high school lesbian romances...those are not in short-supply. So I am always hungry for something darker, meatier, more mature. (Volume 1 is set to release next February) 

My Excitement Level: Cautious Optimism

5 Seconds Before The Witch Falls In Love

Story & Art by:  Zeniko Sumiya     Publisher: Seven Seas

It appears to be a playful fantasy about a Witch and Witch-hunter who’s antagonism turns romantic.  This may end up one note and stupid...but I’m always hear for queer romances set in high-fantasy and I haven’t read a Yuri where rivals turns to lovers. (Volume 1 is set to release next February)  

My Excitement Level: Low-key

Catch These Hands! (No page yet so far as I can tell.)

Story & Art by: Murata     Publisher: Yen Press 

A former delinquent runs into her high school rival.  After losing a fight to her she agrees to her terms...her terms being to go out on a date with her.  I mean the title alone makes me want to pick it up!  It may run afoul of bad anime humor, but I’m hoping with the fact that it’s full of gay adult delinquents that it’ll be a little different.  (Volume 1 is set to release next February)  

My Excitement Level: Medium-key

Series I have discontinued:

I’m in love with the Villainess

Art by: Aonoshimo  Story by:  Inori   Publisher: Seven Seas

A woman gets reborn into her favorite Otome game but she wants to romance the villiain!  I had heard a ton of great things about the novel but I picked up the manga version. (If the novel is totally different I can’t speak to it.)  For me, the writing is ham-handed, the jokes flop 90% of the time, and the fact the lead’s only personality trait seems to be ~obsessed with a bully~ really dampens this title.  Her advances are so aggressive and unwanted I honestly started feeling bad for a spoiled rich bully.  I will say it’s saving grace is the fact that the lead is masochistically into the villainess’ tsundere abusiveness. For me I hate tsundere romances if framed like, “I like you DESPITE your insults.” It is only tolerable if it’s instead, “I like you cause you tell it like it is. I’m a dirty little pig. Please step on this bad little piggy!”

Our Teachers are Dating

Story & Art by: Pikachi Ohi      Publisher: Seven Seas

Well one reason I stopped the series is that cover you see up there.  The sex in this series is fade to black but FOR SOME REASON the 3rd cover has them both butt naked.  But on a less superficial note, the story is about two teachers who start dating.  And while cute at points, I was just underwhelmed.  I think a part of it, is the fact that this behaves like a stereotypical high school romance...and while set in a high school...these are grown ass women not 15 year olds.  So I have less patience with the, “Gosh when will I get to kiss my girlfriend?” bullshit.  I mean, I would hesitate to call it bad...but it’s just not a good version of it’s brand of bullshit.

Breath of Flowers

Story & Art by: Caly                       Publisher: Tokyopop

Absolute train-wreck, this is hands down the worst Yuri I have ever bought.  The story is nonsensical and all over the place.  There is a love rival who’s trying to break the two of them up so she can get with Gwyn...but then switches mid-gear to put in a lot of effort to bring them together intentionally...but she also still wants to hook up with Gwyn...it’s very ????????????  The main conflict of Gwyn is hiding their gender so they can play basketball on the boy’s team (not well explained) is built up hugely and resolved with a hand flick.  There is a melodramatic moment where a school nurse says more or less, “GIVE IT UP YOU’LL NEVER BE A BOY!” And it’s like “OH SHIT! The fact that Gwyn is on the basketball team is cause he’s a transboy trying to live life as a boy! Oh gosh it makes so much more sense now!”  But the author seems to not even know that trans people exist cause the story bumbles along as if that scene never happened.  The closest we get is at the end Gwyn is like, “Look I’m learning to do make-up on myself to make you happy lawl!” Which is I GUESS supposed to be, “NO NO DON’T WORRY ALL OF GWYN’S GENDER STUFF WAS JUST THERE TO MAKE THE MAIN CHARACTER SEXUALLY CONFUSED WHEN SHE DISCOVERS GWYN’S TRUE GENDER!  HER TRUE GENDER IS 100% CIS WOMAN CAUSE SHE DID MAKE-UP ONCE! IT’S FIIIIIIIIIIIIIIINE!” Like whaaaaaaaaat?  And it ends on a very random scene which doesn’t really fit in with the rest of the story.  Ugh just very bad do not interact!

A White Rose in Bloom

Story & Art by: Asumiko Nakamura    Publisher: Seven Seas

At an all girls catholic school a young woman falls for a mysterious foreign student.  I grabbed this cause it’s gay and I overall like Asumiko Nakamura’s work (she also does Doukyusei, double mints, and others.)  However I was just not grabbed with this title.  I just felt like I wasn’t getting what was making the MC pants on head obsessed with Steph.  Also the lead’s mother tells her that she’s getting divorced and therefore will no longer have money to pay for the university and she’s framed like a super bad person for this.  Like I get why the MC (a teenager) would think that something like that is THE END OF THE WORLD! But I remember them really framing the mom like a selfish bitch for this...when like...it’s well established that her mom and dad’s relationship has been toxic for YEARS and that they TRIED SO HARD to fix it.  OH WELL!  This might be good but it just didn’t grab me in the 1st volume.

I’ll make a post on the BL titles later! Take care and Stay Rotten!

[whatgaviiformes]

Interview with Fic Writer Meme

Thanks for the tag, @burningcowboyhoagietaco! Splitting off just because the post was getting a bit long. 

1. Your favorite fic that you’ve written (or the one you want to give a shout out to)

Favorite is difficult because it’s like choosing children. I have ones that hold a special place, and other I love for completely different reasons, so for a fic I want to give a shout out to? Let’s do Oak & Ivory today - Privateers AU with some FishTank, Scott playing the cello, and John cooking. Also it’s Virgil’s birthday and he doesn’t remember

Oak and Ivory  FF | Ao3 Summary: [Completed]  It’s a Thursday in the summer of 1776, and the USS Thunderbird is docked in port in New England. For Virgil, it brings him the gift of inspiration, starting with a rare morning off and a warbler…

2. Your favorite fic title that you’ve come up with I’m quite fond of  Firefly’s Glow (FF | Ao3) as far as titles go. It started with a scene of Scott and Gordon catching fireflies in chapter 1, and as I wrote it I started to weave in the major theme that I am continuing to explore in the story (or at least trying)  - basically the same thing said two ways 1) there’s a value to all life no matter how small and 2) even the small can shine bright.  Gordon may be pocket!sized in the fic, but he is still has the same brightness about him. 

3. How do you get inspiration to write?

 I don’t. I can’t force it, and writing needs to be an outlet of creative expression for me or I will burn out. I am pulled in many different directions at the moment, and so writing is actually a struggle. I am still doing my best because then if I feel if I am not posting, I’ll become irrelevant. It’s a constant struggle and I know that latter part is me making it up in my head. At the end of the day, it needs to be fun and not a job. Perfectionist Gavii is still trying to learn this. 

When I do have inspiration, music helps me to build the tone and craft the visuals. The words start to come easier with the right background sounds. Lack of distraction helps, and that is also currently hard to come by in my world. 

4. Your favorite genre/subgenre of fic to write

Angst. Make ‘em cry.

5. Do you have other hobbies? Crochet, Gaming. D&D. 

6. A fun fact about you that a lot of people may not know I don’t eat any seafood because I don’t like the texture or taste. I’ve tried different things a few times as an adult to see if my tastes have changed, but nah. FIsh are friends not food :)

7. Pick one character to self project onto Hmm. It’s probably Virgil if I had to really thing about it, but there are aspects of the Tracys in general that I tend to gravitate towards. Scott, I can identify with his dedication to work and family, his being spread to thin between his many hats, and juggling IR, family, and TI. Anything space-related makes me happy, so John’s solitary joy speaks to me. I am an introvert so I find it incredibly romantic to think of him reading and studying among the stars, and he’s probably the brother that I am most like in my natural state. Alone does not mean lonely. And in comparison, Gordon is everything I think I need in a friend - someone who lives life to its absolute fullest, sees a light in everything, always there for a smile. And it’s why I love to write (and read) when Gordon is thrown at John for all the chaos and underlying support love there is there. Alan is a bit more difficult for me since he is the youngest and I’m definitely past  where I would self-project on to him - but I can identify with his desire to be his own man amidst his brothers’ successes. And that age is hard. I feel for the kid. 

So then Virgil - I can’t paint, I can’t really play music, but I gravitate towards the arts - always have in my studies.  What I love about writing Virgil is that he helps me look at the world differently and makes me challenge my own perceptions. I intentionally take a moment to focus on what I hear and see when I write him, and it creates a different type of imagery that I think has become Virgil’s voice in my head. He feels, and I can sense his emotions the most organically when I write. He’s loyal, steadfast, and comforting. He’s my art heart, and often when I am writing it’s Virgil’s “support” that I can kind of feel helping me out. If that makes sense? So there’s my explanation for why I can’t choose. I pull from different brothers when I need to. This is absolutely the cheesiest, but they are like family to me and I’ll pull from who I need to based on how I am feeling. 

FishTank still makes the world go round though. Those two. *heart eyes*

8. Favorite genre of music

I am going to steal this almost quote from @katblu42 who I will also tag, because it’s really the only answer: the genres I like are my favorite. 

I listen to a lot of music. like A LOT. If going through likes, you’ll jump from Sinatra to Metallica to Beethoven’s 7th to swing to Linkin Park, and back. Musical whiplash aside, I have a lot of playlists for different things and would love to incorporate one day somehow for fic writing. 

9. Your favorite singer/band

Band: I am really into Walk the Moon, fun fact - the first time I heard Shut Up and Dance was live before it was released

Singer: I like my crooners. 

10. How have your experience in fandom been? This time? Amazing, I feel so lucky to be so supported in life and in creativity. 

Tagging Kat, @godsliltippy,  @womble1, and whoever may be interested :)

[duhragonball]

Hellsing Liveblog Ch. 68-69 (nice)

This is the “Castlevania” arc.   It’s only two parts, but I want to slow down and take my time with this one.

Okay, so in the last chapter, Alucard was fighting Alexander Anderson, who used one of the nails from the True Cross to pierce his own heart, which transformed Anderson into some sort of miraculous creature made of thorny tendrils.   Then he struck a heavy blow on Alucard’s head, and just sort of kept on going down his neck and chest.  

And as far as we call tell, this is the most danger Alucard’s been in since the story began.  Anderson lopped off his head in their first encounter, and even that didn’t stop him.   Now, in this “holy monster” form, Anderson can grow back body parts just as easily as Alucard, and he seems to be able to hurt Alucard a lot more than ever before.  The irony is that Alucard might have been honored to lose to Anderson, but only when he was a human foe.  Now that Anderson has used the Nail of Helena to become something inhuman, Alucard feels that it diminishes their fight.   

Regardless, Alucard is in serious danger, or so it seems.   Even his horde of familiars are bursting into flames all around him, which I assume is a side-effect of Anderson’s attack.   As this happens, Alucard appears to lose consciousness, and flashes back to his childhood. 

This whole flashback seemed like a nonsequitur to me when I watched the Hellsing Ultimate OVA, but I think it makes a bit more sense this time around.  As a boy in the 1440′s, Vlad Tepes was something of a religious fantatic, much like Father Anderson in 1999.   He pledged to never ask God for anything, which I don’t think is theologically sound, but let’s run with it.  The point here seems to be that Vlad felt it was more pious to endure hardship while keeping his faith in God.

For example, in this scene, we see Vlad being dragged away to be raped, and he grabs the cross he wears around his neck for solace.   He doesn’t beg God for mercy or deliverance, but simply clings to his faith to see him through.   

I’m assuming the man in shadow is Sultan Murad II of the Ottoman Empire.  In 1442, Murad summoned Vlad’s father to Gallipoli, and he went there with Vlad and his brother Ruda.  The Sultane then imprisoned all three of them, and eventually released Vlad’s father, but kep the boys as hostages to ensure the fahter’s loyalty.   There was a period when Vlad’s father sided against the Ottomans, and he presumed his sons had been killed, but in fact they survived and eventually returned to Wallachia.   So maybe Kouta Hirano is taking some creative license here, and suggesting that Murad II took out his anger on Vlad in other ways. 

Eventually, Vlad became the Voivoide of Wallachia, and in this flashback we find that he considers fighting to be a form of prayer.   Not for mercy, because Vlad refuses to ask for that.   Instead, he seems to believe that if you just keep fighting hard enough, God will descend from the heavens.   None of this made sense to me the first time around, but once you start interpreting this in the context of Vlad as a religious extremist, it starts to add up.   Anderson’s fellows in the Iscariot Organization were literally blowing themselves up to help Anderson defeat Alucard, and they were happy to do it, because they saw it as a holy mission.    Anderson himself was eager to use the Nail to make himself into a monster, because he craved to be a single-minded instrument of God’s will.   A righteous bludgeon to smite the wicked.    Vlad Tepes’ “bloodlust” seems to have been inspired by a similar zealotry, at least as Hirano sees it.

But in the end, did God descend to respond to Vlad’s “prayers”?   The image of the modern Alucard is all the answer we need.    Of course that didn’t happen.  

I’m just cribbing from the Vlad the Impaler page on Wikipedia, but from what I gather about Vlad’s final years, he was fighting for the office of Voivoide of Wallachia against Basarab Laiotă , who had support from the Ottoman Empire.   Vlad fought and lost, probably dying in battle in December 1476/Janury 1477.   The story goes that his corpse was cut into pieces, and his head sent to Ottoman Sultan Mehmed II.

So Kouta Hirano depicts Vlad’s final moments with him being captured and executed.  This is certainly plausible, and it gives Vlad a chance to reflect on his failure before he meets his fate.    He fought and killed so many people, daring to resist the Ottomans even as he ruled a state that was basically controlled by the Ottomans, and I guess he must have known how impossible that would be, which is why he counted on God to deliver him, so long as he fought hard enough.

But in that final moment, just as the axe comes down on his neck, he still has his cross... but instead of taking solace in that, he reaches out instead for the puddle of blood in front of him.    The axe comes down and shatters the cross, just as Vlad Tepes forsakes his humanity.  

So maybe all of this is a way of Alucard accepting defeat.   Defeated and humbled, no longer a servant of God or a leader of men, no longer even a man, he renounced his faith and became the vampire Dracula, and eventually Alucard.    But now Anderson seems to have the upper hand, so maybe, after 523 years, Vlad Tepes is back where he started, facing an inevitable death.  

And you know, maybe Anderson’s monster form represents the divine intervention he was waiting for back in the 15th Century.   After all these centuries of battle, you might say that God finally did descend from heaven to respond to Alucard.   So maybe this is a fitting swan song for the guy.  He wanted to die at the hands of a human adversary, but maybe this works too, right?  

But then he hears someone calling out to him, and...

Hey, it’s Seras!

So yeah, we’re back to the real world, and Anderson’s well on his way to chopping Alucard in half and burning him with holy fire or something...

And Alucard’s still out of it...

And then Seras jumps in to save his ass!   Cool!

The only problem is that this was killing Alucard, and Seras is less powerful than Alucard, so she’s probably not going to be able to do a lot of good here.    For that matter, this might just get both of them killed.  

And this is why I think this moment is cool.   When Team Four Star did their Abridged parody of Hellsing, they sort of skipped this whole “Seras jumps in” part of the fight.   Instead, they did a whole thing where Alucard has a near-death experience and talks to God.   Then he rejects God’s offer of forgiveness and goes on to defeat Anderson by himself.   I don’t care much for that, because Seras is my favorite character, and I find the whole routine of “Well maybe I don’t need your forgiveness, God!” kind of stale and limp.    Can something be stale and limp at the same time?  

Like, I think I get that a lot of atheists are sore at the whole “organized religion” thing, but it seems kind of silly to write a whole bit where the premise is that God is real, but only so we can all tell him to get lost.  Like, I’m a Christian, so I can’t really relate, but if I thought God didn’t exist, I wouldn’t spend all day writing angry text messages to God to remind him of how fake he is.  

But mostly, I just really like Seras, and this is a cool Seras scene, and I think that deserves attention, so here we are.

The Alucard-Seras relationship is complex by design.    With Integra and Alucard, there’s not much to it.   She literally addresses him as “slave” at one point, and he repeatedly talks about himself like a weapon that she has to point at her target.   There’s something kind of like that with Al and Seras.   In one of their first missions together, he sends her to take out a bunch of ghouls just so he won’t be bothered, and it’s almost like he’s weilding her as a weapon.  But he also never leans on that too hard.  For one thing, there’s not a whole lot of thngs Seras can do for him that he can’t do more easily himself.   

It feels a lot more like a Master/Apprentice relationship, which may not strictly be a vampire thing, because he’s teaching her how to hunt vampires and how to be a vampire at the same time.  I think Seras has the same sort of devotion to her master as he does for Integra, but that’s mostly overshadowed by a more down-to-earth respect and admiration.   She sees him like a superior officer and a mentor, but she also knows that he has this strange charm over her that she can’t explain or resist.  

One of the things I can’t stand about he Gonzoverse Hellsing Anime is how after a while they just started having Seras say “Master...!” over and over.    I get it, there’s some power in the way she says it.   It means a lot of things to her.   I wouldn’t be shocked to find out that “Castlevania part 2″ inspired some of that, but I don’t know what chapter of the manga was published when the anime wrapped up.   But it annoyed me that they just used “Master...!” over and over again as a shorthand for Seras’s feelings.   You have to do something with it.  Demonstrate it, like we’re seeing here with Seras trying to remove a blessed bayonet from Alucard’s torso.    She has to help him, even if it means risking her own neck, because he means so much to her, and she wouldn’t be here without him.   And yeah, she’s his vampire servant, so this seems like something a loyal servant should be doing.   Stickin’ together is what good waffles do.

Let me pause here to note that this marks the destruction of whatever remained of Dandyman and Rip van Winkle, the only “name” characters featured in Alucard’s menagerie of absorbed souls.    Whatever Anderson is doing to Alucard, it’s destroying them, irrevocably.  

So it occurred to me one day, what if Seras has to save Alucard, not out of slavish devotion or plucky heroism, or even righteous loyalty?   Way back in Chapter 1, Integra explained vampires to the local authorities, and said that when you kill a vampire, you also destroy all the ghouls and servant vampires that were created by that first vampire.   In other words, if Alucard were to be destroyed, Seras ought to die with him.    So maybe her efforts here could be nothing more than self-preservation.    I’m not wild about that idea.   Maybe, after drinking Pip’s blood, Seras “graduated” from that lowly status, and she no longer depends upon Alucard in this way.  

But I think the point remains either way.   They’re in this together.   Alucard called the two of them a family, and it wasn’t just creepy vampire talk.   There’s a bond between them, and it matters to both of them.   And that’s why Seras’ intervention here is what brings Alucard back from the brink.   By rushing in to help him, Seras has placed herself in danger, and now they have to rescue each other.

I like this part where he puts his hand on hers as they pull out the bayonet together.    It’s like the moment when Seras reached out to Alucard in Cheddar and he took her hand then.   Well, that was only in the OVA, but still.  

Alucard tells Anderson that he might have welcomed a death like this, maybe back when he was about to get beheaded in 1476, but now, he refuses to be defeated.    523 years ago, he was at his lowest ebb.   He had nothing.   Today, he has Seras.  

And... yeah, he has Integra too.   I don’t want to dismiss the importance of that relationship.   But Integra could find a way to get by without him if she needed to.   He has a responsibility to Seras, though, and Seras’s loyalty trumps whatever death-fantasies he might have on his mind.

Then Al turns into this form, which I guess is the same outfit he was wearing back in 1989, when Integra found him in the basement.  Not sure if that’s supposed to mean anything, though.  

Oh, and I guess there’s still a few familiars that didn’t burn up from before?   This is the last time we see them though, so maybe this final attack finishes them off.

As Alucard strikes the final blow on Anderson, Integra flashes back to her father, who taught her about the vampires’ inner psyche.    Arthur Hellsing suggested that vampires don’t have a whole lot to show for their immortality.   They crave conflict, not for its own sake, but becuse they long for death.   Not just any ol’ death, but a kind of death that they could take some solace in.   We’ve already seen this in Alucard, as he seems to relish the idea of being killed by a human like Anderson, or van Helsing.    If all he wanted was death, he could have let that Ottoman headsman finish the job 523 years ago.   Instead, he lost everything, and he’s spent centuries with nothing to take comfort in.   And that probably explains why Alucard is so happy with his service to Integra.   At least she gives him a purpose, a duty, a cause to fight for.  

And finally, Alucard rips out Anderson’s heart, with the Holy Nail still in it. 

And he crushes it, which I guess it enough to neutralize the Nail’s effect?   Well, cool enough then.

But Al takes no pleasure in this victory.   He sees in Anderson a reflection of himself, back when he was a human.   The fanaticism, the failure, the rejection of humanity to become a monster, and then failure again.   

And then Anderson, or whats’ left of him, consoles Alucard before he dies.

[xbaebsae]

Changes and Deleted Content Part 2 - Far Cry 5: Features and Missions

This is a small passion project series of posts where I share some insight of what’s hidden in the game(s) files, but also some general observations. The main focus will be on character changes or deletions with a few words about functions and deprecated missions.

What will not be touched upon are a lot of the things the Resistance Mod on PC restores, namely deleted store weapons and clothes, weather systems and general gameplay related things like skinning animations. I also won’t go into audio files and their content, as @lulu2992 is already working on an amazing series for FC5 that summarizes them per character.

This part will be significantly shorter Edit from post finishing-Angy: This post turned out really damn long despite only discussing some scrapped or changed features and a couple of deprecated mission strings. I still hope you find this as interesting to read as I found writing and investigating it :)

1. Changed and Scrapped Features

1.1 Guns/Fangs for Hire

Just for reference, the release version of the game has 9 unique GFH/FFH available + 3 slots for random specialists you can hire throughout the world.

Among the game’s UI textures for tutorials is this image, showing an earlier version of the GFH screen.

What this indicates is that the planned amount for active GFHs you can have was originally 4; or the top row could function as some sort of favorites tab. We will probably never know for certain. 

Interestingly though, this version has slots for 20 GFHs in total, 18 either filled a character icon or a locked symbol, suggesting the originally planned unique GFH count was 18.

Considering almost every NPC in-game has spawn-able archetypes with battle audio fully in place it is possible that we were supposed to be able to recruit more of them. I will return to the matter of recruitment shortly.

Another thing I’d like to open up for consideration is that there may have been plans for (ex-)cultist GFHs or at least areas where they act friendly towards the deputy. Reason for this assumption is the fact that cultists have recorded lines for when you meet them (spawn them), aim weapons at them (the taunts GFH and friendlies do too), along with idle lines when you use mods to spawn them as friendly followers. The game has no purpose for most of these lines, as you never walk into peaceful cultists outside of the intro. In the intro you have no weapons to aim at anyone, making it impossible to trigger these lines. 

You may argue they were recorded for the arcade, but the Seeds are also featured in it and have none of those. However, they may also be a leftover from scrapped missions that would feature cultists that don’t shoot you on sight. 

Additionally to that early menu screenshot, I have also found an old reddit thread discussing the game’s Uplay page near release because of the following image:

Unfortunately I was not able to find this particular page myself anymore, and knowing how short lived everything is nowadays, it might be lost in time forever. The commenters discuss that the three additional slots here refer to potential DLC characters, but we don’t get to use any of the DLC companions in the main game (nor do the DLCs share the main game’s art direction). So, this might be another indicator for additionally planned GFH/FFH we never got to see.

One of these was likely the Eagle FFH called ‘’Freedom’’ (Character/Unique/FFH_Eagle_Freedom), which was partially restored through mods on PC as its loaders and everything are still present. It is unknown why this was scrapped.

It also appears that there once were inventory (purchaseable?) items for almost each GFH (Boomer and Jess have none), as these placeholder icons exist inside the game’s ui\icons\inventory folder:

Possible functions: Quest items you needed to obtain to recruit them (implying changed missions); Gift items (for potential level up?)

Now to return to the matter of recruitment: Deprecated mission strings suggest that originally you had to hire unique GFHs similarly to random ones; and that was part of quest lines. These lines appear in ‘oasisstrings’, the game’s main language file(s):

HIRE Jess RECRUIT Adelaide Drubman ADD Adelaide to your squad

In light of the old GFH screen I actually looked up the definition of ‘Squad’, and on wikipedia it is listed that a Squad is a team of 5+ members, further strengthening the theory that originally you could have 4 active GFH (plus the Deputy they’d be 5, therefore a squad). 

1.2 In-game Wiki menu

Some of the previous Far Cry titles have a sort of wiki menu that features short bios of characters, explanations of locations, resources and weaponry. New Dawn sort of brought part of this back with the ‘Survival Guide’ (accessible from the pause menu), but 5 does not have this at all. However, in the ui files there are still texture leftovers, implying this feature was planned and it had sections for Animals, Base Jumps, Characters, Destructible Structures, Fish, Locations, Parking Spots (Garages), Plants and Treasure Hunts. The following image shows the ‘undiscovered’ symbols arranged in that order.

Again, no text entries along with a lot of duplicate and unfinished images imply this was scrapped early.

You can view the additional images (minus characters, because they will be handled in the next posts) here.

2. Abandoned Missions

This section will focus on mission strings that still exist in ‘oasisstrings’. For the sake of readability I removed the style code the game uses and the line numbers. You can easily find them by searching part of the text in the files or website listed in References. Please keep in mind that only the mission titles themselves are 100% like that in the files, any assumption as to what they might have been used for is purely speculative, but I attempt to always provide a reasonable explanation with evidence for the theories presented. Also I am not perfect, so it is possible I missed something in-game. In that case please do correct me!

2.1. Investigation Type objectives

There is a set of objectives listed that imply a different setup for Willis Huntley’s mission. It introduces the objectives PHOTOGRAPH, TAG, LISTEN and INTERROGATE:

PHOTOGRAPH potential property PHOTOGRAPH an animal slaughter TAG the target PHOTOGRAPH the target LISTEN to the conversation INTERROGATE the target PHOTOGRAPH cult signs and rituals: BRING the photos back to Willis

The release build mission has you tail someone and steal a VHS tape. None of the above objectives appear. It’s interesting to see that at one point there were mechanics in consideration that included intel gathering.

2.2. Quest centered around Melvin

The only Melvin I could find in relation to Far Cry 5 is Nadine Abercrombie’s grandfather. Melvin Abercrombie joined the cult. It isn’t assured that these objectives refer to him, but if they do it’d mean a potential mission where you speak to a lower ranked cultist.

Please Note that mission strings are not always in correct order.

TALK to Melvin LOOT Melvin's corpse REACH Melvin's house WAIT for Melvin to arrive GO MEET Melvin

2.3. The ‘Redeemer’ Objectives

At some point there was a quest-line revolving around something called the ‘Redeemer’ in Holland Valley. I could not find out what this thing really was supposed to be, but it sounds like it was either a boat or a submarine (???). In this line it appears that the garage in Fall’s End had actual relevance.

FIND a similar engine BRING engine to Mary's garage TALK to Mary's assistant TOW Redeemer Back the Garage (this typo is also in the file) SUBMERGE the Redeemer FLIP the Redeemer upside down GET IN the Tow Truck PUT the Redeemer on the Flat Bed

What this also implies is the inclusion of tow trucks and that there was a ‘Mary’s assistant’ character.

2.4. A few seperate Entries before we focus on plot relevant ones

In light of the afore mentioned wiki menues there is also an objective type that goes very well with its character section:

DISCOVER this character.

This could be attached to unknown entries in the character list.

There also is an unused objective called:

FIND the cow in the field

Which at first glance made me believe it was related to the mission at Cattle co., but it is not used there or anywhere else. I suppose we will never find out what was so special about this mysterious cow.

TAKE Joseph's writings

is also an interesting entry, as it is not related to the mission where you burn his book. This is again an unused string with unknown original purpose.

2.5. Mary May and John Seed

There are two particularly interesting unused mission objectives in relation to these two characters. 

For one, it looks like originally we were supposed to rescue Mary May from John’s ranch:

RESCUE Mary May From John Seed's Ranch

This could either be a replacement for saving her in Fall’s End or it is a mission that appeared later on in which John possibly captured her. It gets more possible applications with the next one, though.

FIND John and Mary May's secrets

Now, this one caught my attention immediately, because there are two big things that come to mind in terms of possible application. It could refer back to the novel Absolution in which Mary May gets captured and tattooed by John, heavily implying that part of the plot that made it to the novel was originally intended to be shown in the game (we will get back to this in the character episode when talking about Holly). 

Additionally, keeping the previous objective in mind, it could also imply that Mary has been converted during her capture (or her capture was planned) and played a different role in the story overall. Of course, all of this is only speculation as we will probably never know, but the objective specifically says ‘John AND Mary May’s secrets’, refering to shared secrets, not just one of Mary herself (which would fit more into the tattoo theory). 

   If you have ever even considered the possibility that Ubisoft might have cut a lot of stuff from the Whitetail region of the game, the rest of this Mission section should finally prove this to you. I’d like to make clear here that this is unbiased. I have tried to dig up deleted content equally in all regions but it just turns out that this is the one they really went wild with. There is nothing that stands out in terms of deleted or changed missions in the Henbane area and the Holland Valley content is mostly not that plot relevant minus the last examples just mentioned.

2.6. Eli and the Wolf’s Den

In the final version of the game we are told that Eli is an important character, but he is not very active in any way. Where Mary May assists you on the way to John’s Ranch and Tracey and the others at the prison fight by your side in defense missions, Eli will stay at the Wolf’s Den and have you run his errands for him. Just like the other mentioned characters he has full fight capabilities though. His AI is capable of using that bow, despite him never leaving the bunker.

As it turns out, he used to be a far more active character and there were multiple ways you could encounter him for the first time. For reference: In the game as it is now you will only meet him when he and his people rescue the deputy after Jacob’s first trial. You cannot enter the Wolf’s Den prior to this point.

Inside the game’s animations folders are these three subfolders including the respective files (JJ and Key03 is how Eli is often referred to in the files, I will get back to this in the character post):

This means there were three ways that you would encounter Eli: Inside a cabin, through being captured in a net or by being released by Perkins. This was most likely Doc Perkins, giving her a bit more significance in the game.

The main cutscene files for these are not present anymore, only the animations remain so I could not find out where the exact locations for these were supposed to be at. I however, loaded these animations into a game cutscene so we get to look at them anyway. I have chosen Jacob’s death cutscene for the simple reason that there’s only the player + 1 NPC, it is daytime and there’s no intrusive DOF blurring everything. The video below shows all of them. 

Keep in mind that only the player animation matters in the first two! Ignore the rest. The third one features Doc Perkins and has her animation applied to her. As you can see it is very very unfinished, but it shows that she possibly unties the deputy or opens an animal cage, then drives away in a car.

This unused mission string supports the theory of these different ways further, as it implies that you met him somewhere and he would guide you to the den:

FOLLOW Eli into the Wolf's Den

There are several other objectives that suggest a more active Eli, who might have accompanied you on some missions:

WAIT for Eli to arrive GO with Eli GO inside the Wolf's Den

2.7. Jacob and the Veteran Center

Before swan diving down a very deep rabbit hole, let’s address this unused mission string first:

TALK to Deputy Pratt

Sounds very unspectacular and like something you would do at some point, but this is never an objective in the game. The intended function will forever remain unknown most likely, but possibilities are vast, especially with the upcoming abandoned objectives.

There are hints at an alternate useage of Jacob’s bunker (specifically called bunker here and not armory). Mission strings are:

FIND a way out of Jacob's Bunker LEAVE Jacob's Bunker

Again, on first sight you’d think these are just what’s there in-game. But they aren’t. During the final mission it goes from RESCUE Deputy Pratt straight to ESCAPE Jacob’s Armory. There is no indicator that you’d need to find a way out. The objectives above hint that it was similar to John’s and Faith’s bunker initially, where you had to do a few more things before escaping. 

An observation derived from the game’s subtitle file is that at one point there might have been a differentiation between ‘Armory’ and ‘Bunker’ as, most likely, a random NPC says "I don't know where Jacob's bunker is. I'm not sure anybody does, but it's out there somewhere." The armory is (other than John’s and Faith’s bunkers) directly next to a main road, next to McKinley Dam. It is quite impossible to miss. Therefore this statement, along with the inconsistent switch between calling it ‘armory’, ‘bunker’ or ‘gate’, could mean there was originally a different bunker and the armory really functioned as such. 

Before moving on to more mission strings, there is one more subtitle entry worth mentioning: "When you tried to arrest Joseph, Jacob got wind of it and things got real crazy here in the Whitetail Mountains." It heavily implies that at some point, Joseph’s family might not have been intended to be present during the opening, and they instead found out about the arrest afterwards. As far fetched as it sounds at first, it does check out with the inactivity and absence of the three heralds after you cuff Joseph (and in case you ever wondered what the three of them are doing while you guide Joseph outside, they de-spawn and are gone as soon as you turn around).

But enough about that and let’s get back to more missions we never got to see.

For instance there is:

GO TO the Veteran's Center

Which, as most of you know, is impossible during the game because you get repositioned everytime you attempt to go close. This string implies a different kind of mission at some point. 

HUNT Jacob

No, this also does not appear in the game. The final mission goes from DESTROY Wolf Beacons to KILL Jacob Seed. Possibility in combination with the previous entry is that you were supposed to follow him back to the Veteran Center and that’s where the final fight would be. It could also imply a different kind of trial.

Small observation because we are talking about the final fight: The Prima Games’ guide (based on a pre-release build of the game, it will be featured more prominently in the next post) depicts Jacob at the bottom of the mountain during this encounter. WIth a lot of perseverance I’m sure you can somehow manage to replicate this in-game. But it is interesting regardless that they chose this image. It might imply that at some point he was not positioned on top of the hill, and instead closer to the area he finally dies in.

Before we move on, here are a few other interesting unused strings:

TRAIN TRAIN yourself INTERACT with Jacob for finishing takedown TALK to Jacob

They imply a different way to end the fight along with the possibility to talk to Jacob at some point (unrelated to each other mind you). I have no clue in what kind of scenario you were supposed to talk to him. The only explanation I have is that trials were possibly supposed to be different at some point and maybe they had more intentions to explore the whole brainwashed aspect of it to the point you casually took strolls around St Francis. Now before you say I just made that up, I implore you to wait till after the next part to call me out on it, because there are reasons I offer that possibility up for discussion here.

TRAIN and TRAIN yourself might not be linked to this region at all. But it is interesting to have these sort of objectives as they form the ‘Train, Hunt, Kill, Sacrifice’ part of the region’s theme, when you refer back to other mission strings: TRAIN (yourself), HUNT Jacob, KILL Jacob Seed.

Now to get to the main part. If you ever used mods on PC that let you access the Veteran Center, you will have noticed that the AI acts very strange. Your assigned GFH might wander around, aim at nothing or even attack civillians. Cultists inside the area will not always attack you, while civillians will do. This is most likely why the developers were so quick to patch out the tricks to access the region without mods.

I have seen multiple speculations circling around, but the one that always struck me as the most plausible one is that there was some kind of mission after Pratt rescues you from the cage. It is a very discontinuous cutscene, in which you transition from the cage directly to the top floor of the Veteran Center, implying there were no problems for Pratt and the Deputy to get there, despite having to cross the entire guarded frontyard and going through multiple building floors to get to the office. So, naturally I wasted some time of my life trying to dig up stuff that proves this theory right and I...well I did find something.

Important note so you understand what’s going on here: It is very common in games to load objects underneath the map (outside of sight of the player) to assure they are properly loaded in when they are needed. I have seen posts circulating around which depicted Pratt underneath the building, suggesting they eventually had an area planned there. The more likely case is that Pratt was loaded there for later use in a cutscene.

Why am I saying that? Well, this following screenshot was taken underneath the map during the cutscene where Pratt rescues the deputy and it transitions to the top of the building. I have changed the time to daytime for a bit better visibility.

What you see here is an entirely unused set of either cutscene or gameplay elements. A truck, Jacob (who’s absent in the cutscene we see), Pratt, a random NPC, a bag, a small table (unseen in cutscene), a single door (unseen in cutscene), a double door and 3 small pieces of paper (only two are in cutscene). I have kept watch on these assets for the entirety of the cutscene and none of them were moved into place. Meaning that all of these were here to be used in either a different cutscene or even a gameplay segment.

It brings me back to the mission theory, where there was a potential stealth segment between leaving the cage and entering the office.  Maybe there was an alternate cutscene for the case where you’d be caught and the one we see in the game is the one after successfully sneaking up there? We will never know for certain again but it is one possible explanation as to why these assets even still exist. It would also check out with the TALK to Deputy Pratt mission string, as you maybe had to speak to him after reaching a certain area.

Here are also some additional screenshots of the room in front of the office:

It was modelled and filled with a few detail props we never get to see much of.

Another potential mission, which would explain the broken AI behavior better, is the already mentioned theory that they might have planned to do more with the whole brainwashing aspect. Cultists inside the Vet Center area do not shoot and are allied, while civillians act hostile, implying while the player is there they are considered to be allied to cultists. TALK to Deputy Pratt, TALK to Jacob or TRAIN (yourself) could have taken place during this also. Something that could support this theory is also this unused timelapse marking days passing:

3. The Game’s Title and Closing Words

Internally the game is often called ‘fc zeta’, ‘zeta’ or ‘fcz’. So *sigh* of course I tried to find a deeper meaning behind it all and came to the sixth letter of the Greek alphabet ‘Zeta’. If you count Far Cry: Primal as a real standalone title, Far Cry 5 is the sixth Far Cry release. But because the Greek were special snowflakes or something, the sixth letter actually has the value of 7. So Zeta is actually 7 despite being the sixth. If you count Blood Dragon as a Far Cry release it’d mean FC5 is the 7th release. However, these theories exclude all the expansions and stuff for earlier Far Cry games.

Another indicator that Zeta might have been more than just a number, is this texture used as a decal on some clothing materials:

I have not found someone in-game who has this anywhere, and they might just disable the transparency and use it only for the American flag. But still, why would they make such a decal texture in the first place? Maybe very early name of the cult or resistance group? 

Before closing this incredibly long essay, here is an old, unused version of the logo found in the files :)

Phew, we finally reached the end. If you made it all the way down here: CONGRATULATIONS you just read a long af essay! Again, i’d like to remind you that a lot of what you’ve read is pure speculation. I tried to prove my arguments as best as I could with evidence that I provided but only Ubisoft knows what really happened. And they are unlikely to tell us.

The next post will focus on the expansive character list and I may split it into parts because there is a lot to say and show about some characters. 

I hope you have a nice day and thank you for reading ♥

_______________________________________________________

References:

text.farcry.info (website where you can look through Oasisstrings yourself!) languages\english\oasisstrings.oasis.bin languages\english\oasisstrings_subtitles.oasis.bin animations\narrative\cin_key03_q01_b00_meet_jj_cabin animations\narrative\cin_key03_q01_b00_meet_jj_net animations\narrative\cin_key03_q01_b00_meet_jj_release domino\user\fcz_proto_ld domino\user\zeta_dlcm ui\resources\textures\04_menu\tooltips ui\resources\textures\06_icons\inventory ui\resources\textures\05_hud\tutorials\_images __Unknown\XBT\AE800D066AB2E84A.xbt __Unknown\XBT\FD080AA2BBABE691.xbt Zeta on Wikipedia (english) Squad on Wikipedia (english) Prima Games guide (2018, collector’s edition, print and digital) reddit.com/r/farcry/comments/89nsf1/so_theres_3_missing_guns_for_hire_here_maybe_3/ __Unknown\BIK\C6AB10EDBC81E933.bik

[kittyprincessofcats]

RWBY Volume 8, Episodes 8-12

All caught up with RWBY now! (Except for the premium only episode.)

So, two things first: 1. From now on, my blog will no longer be spoiler free for RWBY! I don’t have premium access, so no spoilers for that, but beyond that, I might now reblog spoilers for everything that’s been released to the public. Blacklist “#RWBY spoilers” if you don’t want to see them.

2. I was going to ask what the spoiler policy in this fandom in general is when it comes to premium access. From what I’ve seen, Youtubers usually wait a week before uploading their reaction videos, which I appreciate – but here on tumblr almost no one seems to hold back. I saw a spoiler for “Creation” before it was released publicly. The day episode 13 was released for premium access, I had to unfollow people for posting untagged spoilers for it. And when I went into a RWBY-related tag for one second, I saw a really big spoiler that put me in a very sour mood because it also happened to be very aggressively worded against fans of a certain character (basically, along the lines of “I’m glad X bad thing happened to Y character because I hate them and their fans”). So, that scared the shit out of me and I ended up looking up more specific spoilers about what exactly happened because I wouldn’t have been able to sleep otherwise. So, from what I’ve seen, this fandom’s spoiler policy is just “fuck anyone who doesn’t have premium access” 😒. Always nice to see people being so considerate.

With that said, let’s get into my thoughts on episodes 8-12. Under the cut, because unlike some people, I try to be considerate of others who might want to avoid spoilers.

- So, the Hound really was a person. Specifically, a person with silver eyes and that’s probably what happened to Summer. THANKS, I HATE IT. This is exactly what I feared it would be and what I didn’t want it to be. (I don’t want Ruby and Yang to have to fight and kill their grimm-ified mom, that’s too sad, okay?)

- I love that Whitley really came through and came up with a plan for evacuating everyone! He’s a good bean after all! And that he managed to press that button on the computer before running from the Hound? Amazing.

- Willow Schnee being one hell of a mama bear and summoning a thing to protect Whitley was epic. She was so close to breaking down before that, but then her child was in danger and she just jumped into action right away. Protective mom instincts ftw!

- Blake’s talk about how she looks up to Ruby and how she herself lost the youthful optimism Ruby still has was SO sweet! (Also, Ladybug is an underrated ship/friendship and I really don’t get why people say they never interact? Have you all just forgotten volume 1 and how Bumbleby’s first meeting happened because Yang was trying to wingman Ruby who was trying to befriend Blake??)

- Penny fighting the virus from the inside was amazing, she did so well! I also loved seeing Nora encourage her (and echo Blake’s earlier words back to her).

- Unrelated to these episodes specifically, but I tried to think about who my favourite RWBY charactes even are right now, and I find it super hard to narrow down because I love so many of them, but if I tried to somewhat narrow it down, then (in no specific order because don’t ask me to also come up with an order): all of Team RWBY (though Blake is a personal favourite), Ilia, Penny, Salem, Cinder. (But then again, I also love Winter and Qrow and Robyn and... you get it, it’s hard to narrow down. Oh, and of course Pyrrha, but... you know.)

- “Witch” was honestly my favourite episode of the bunch. That one was just so full of epic stuff. (And now I’m wondering if Salem being one of my favourite characters has anything to do with my love for witches. I used to be obsessed with witches as a kid. In every story I read that had a witch, the witch was always my favourite character.)

- Yang and her team sure found a way inside that whale fast! Also, really handy that Ren’s semblance evolved just in time for when they needed it. But hey, I don’t want to complain about convenient plot stuff too much. Sometimes the heroes are allowed to have a little bit of good luck.

- Hazel listening to Oscar and deciding to get both him AND Emerald out of there was amazing! He really does have a soft spot for kids and wasn’t kidding about not wanting more kids to die – we love to see it! I also think it makes for an interesting parallel that Hazel decided to do this right as Ironwood was sending students to fight on the front lines and Marrow was calling it out.

- I really liked Ren telling Yang she doesn’t have to hide her fear behind jokes. Ren being able to see emotions is going to bring about so many more good moments, I just know it!

- Emerald and “Hazel’s” talk with Salem gets so much better when you know “Hazel” is actually Oscar – Emerald has gotten so much better at illusions and fooled Salem herself! That’s impressive!

- It’s really practical that Ren could sense Emerald’s fear. But also, the group really didn’t have the time to discuss if Emerald was trustworthy – they needed to get out of there asap.

- The way Salem spits out the word “semblance” when she talks to Emerald shows again that she not only underestimates these “new humans” and their powers, but also considers them inferior. It’s a nice little detail how just her tone when she says that word says so much about her worldview.

- Yang straight-up running up to Salem and blowing her up was epic. It didn’t last of course, but it was still a super bold and epic move. I’ve talked before about how cool Yang is and she just keeps getting cooler.

- Yang calling Salem out was amazing and epic, too! And when she referred to Summer Rose as “my mom” that made me tear up just a bit 😢. (I really don’t like Salem’s smile when she says “her again”, though. I don’t want grimm-ified Summer, I really don’t want it, okay? keep it far away from me where I won’t have to see it.)

- I’m a bit sad about Hazel’s death, but it was a really fitting end for his character and a really cool way to go out. The way he looked at all of those kids in danger (proving again that that’s what it’s about for him), whispered “No more Gretchens” to Oscar, punched Salem in the face as she was about to hurt Emerald, injected all of those crystals into his skin (which looked epic, by the way), told Emerald to go, fought an epic fight against Salem and then grabbed her and set himself and her on fire, burning her like a witch – it was epic stuff! RIP Hazel, you died as a hero and went out in an incredibly epic way!

- Hazel’s sacrifice must have been super tough on Emerald. He died protecting her (and JOYR) and it worked. She got away from Salem, but only because someone else, a friend, died for her. Not only must it be awful for her to lose Hazel, she probably also blames herself. (And, as I’ve seen others point out, it was probably the first time in her life an adult did something to protect her. Wow. Someone get this girl therapy, please.)

- The whale getting blown up was an absolutely epic moment. From the music to the cinematography, I loved everything about it. (That said, I will miss the whale. RIP coolest villain lair ever.)

- I loved Watts’ speech to Cinder – and I’m saying this as someone who became a huge fan of Cinder this volume. I love her, but I also love roasting her, and a lot of what Watts said was stuff she desperately needed to hear. I honestly didn’t even like Watts before that moment, but that speech might have made me like him just a tiny bit. The way he just laughed when she dangled him from a building, the way he spelled it out for her that her methods haven’t been working and threw her failures in her face, the ending with calling her “a bloody migraine” – Like I said, I’m a fan of Cinder, but that was glorious and cathartic and beautiful to witness. But what makes it really perfect is Cinder’s reaction: The fact that you’d expect her to kill him or at least scream at him, but instead she spares him and just sits down and cries. I really love what they’ve been doing with Cinder this volume and that they’re finally showing her as someone way deeper than just a power-hungry villain.

- In general, let me quickly talk about Cinder, because even without having seen the last two episodes I can already tell you that she’s my standout character / favourite character of the season. (It was Ilia for Volume 5, Salem for Volume 6, Penny for Volume 7 – and now it’s Cinder.) I said back in my post about Volume 5 that I wish they’d do more with her because after becoming rather interesting in Volume 4 they just went back to making her a pretty flat villain – and I officially have to eat my words and apologize to RoosterTeeth right now! This volume proved to me that they know what they’re doing with Cinder and explained so much about her. I’m sorry for ever doubting the writing. I now want to go back and rewatch the whole show while paying more attention to Cinder and I can’t wait to see where her arc goes from here (yes, I want an eventual redemption, and what about it?). This volume is obviously setting up something big for her – I just have no idea what it is. And at the end of the day, she’s still the Maiden of Choice. She’s the key to the Beacon relic, and that’s going to become important eventually.

- Oh, and can I mention, just by the way, that I think Cinder looks amazing? I don’t understand all the people who say they miss her red outfits when this is clearly her best look yet. The black eyepatch, the cape, the earrings, the short hair, the high boots, the shorts instead of a dress, all the black – this is her absolute best look, period.

- I’ve also noticed that the scene between her and Watts is the first time Cinder has referred to Penny by name. She’s always referred to her with phrases like “some toy” or “Polendina’s creation” before, but this time she just called her “Penny Polendina”, then “Penny” again, and asked Watts how she’s supposed to take Penny’s power “if she’s dead” (not “destroyed”, which is what Watts said, but “dead” – something you say about a person, not a machine). I think somewhere down the line, Cinder has started to see Penny as a person and respect her as the Winter Maiden. Maybe it’s because of how Penny won the fight at Amity, or maybe (though this might be wishful thinking on my part) it’s because Penny questioned why Cinder serves Salem and showed her and Emerald mercy.

- Also, side-note: While I loved Watts’ speech, it sure is bold of him to call Cinder entitled when his own villain origin story is getting overlooked for a science project.

- Neo is an amazing little troll and I love her. From stealing the lamp and skipping along the ruins of the whale happily to those texts to Cinder, all of her moments were brilliant and hilarious.

- Some characters not just forgiving Emerald is totally fair and realistic. But, as I said before (and as Oscar also points out), they don’t have to. People think a “redemption” – or let’s just call it switching sides instead of using such a loaded term – has to include everyone’s forgiveness, but it doesn’t. If Yang and Jaune never want to personally forgive Emerald, that’s okay. They don’t need to forgive her to recognize that she’s changed and work with her. And, as Oscar and Ren point out, Emerald’s abilities would be very useful to have on their side. So, personal feelings are fine and all, but right now they don’t have the luxury to dismiss a potentially very useful ally. (And same for Oz, by the way. It’s fine if they’re still mad at him, but they also need his help.)

- Also, have I already said that I’m very happy for Emerald? Because I’m very happy for Emerald for getting out of there! (Mercury’s and then Cinder’s redemption next, please!)

- F*ck Harriet for trying to get Winter in trouble for letting JYR go. I’m hating her more every second. And then she seriously said “Who cares?” about Ironwood’s plan to nuke Mantle? She’s the most unlikable of them all.

- Everyone’s reunions were so sweet! I loved Ruby and Yang hugging 😭. And Yang cupping Blake’s cheek and their forehead touch had me all 🥰 🥰 🥰.

- After he threatened to nuke Mantle, I hope we can all agree that Ironwood is a straight-up villain now. The most infuriating part is that he didn’t even have to do anything! Whitley and Weiss had figured out a way to save everyone in Mantle and the SDC ships to evacuate people were already there. All Ironwood had to do was let them evacuate everyone to Atlas, and then Penny would have opened the vault willingly and Ironwood could have used the staff to raise Atlas as planned. Problem solved! He should have just sat there and ate his food – but he was so pissed about things not going his way (or maybe he just genuinely hates Mantle that much) that he thought sabotaging the rescue plan and threatening genocide was a better option.

- I loved Marrow’s arc in these episodes and how you could tell more and more that his conscience was making him turn against Ironwood. First he questioned Winter when she was going to nuke the whale before JOYR were back, then he seemed shocked when he thought they were dead, then he tried to talk sense into the other Ace Ops after Ironwood’s ultimatum, and then he straight-up called out Ironwood himself. That last one was dangerous though, and he was lucky Winter was quick enough to jump in and pretend to arrest him, because Ironwood was going to just shoot him in the back.

- Speaking of, I wonder how long Winter has been planning to double-cross Ironwood. How long was she already disagreeing with him, but waiting for the right moment to make a move? Either way, I’m glad she was there to save Marrow.

- The Renora confession scene was so sweet and got me a little choked up 😢. I’m glad they sorted out their issues and told each other how they feel. But like I said before, I think Nora’s arc of trying to find out who she is without Ren is really good and important and Ren respecting that was really good and important as well. It was just a very wholesome scene. Also, I like that we got a little bit more backstory for Nora (her mom abandoned her? that’s awful), and Jaune awkwardly leaving the room was hilarious.

- Robyn telling Qrow he’s a better Huntsman than Clover because he chose to do the right thing was a really important moment for Qrow, imo. (And just a side-note: I’m sure most Fair Game shippers are pretty chill – and I’m a strong believer in ‘ship and let ship’ – but a certain subset of them is starting to get on my nerves with how they ignore Clover’s canon character and story (acting like he would have rebelled against Ironwood if he were alive as if the whole reason he’s dead wasn’t precisely because he cared more about Ironwood’s orders than doing the right thing) and how they make every new plot point about their ship somehow (Oscar’s semblance? Better be a time-travel thing so Clover can come back. Staff of Creation? Better be able to bring people back from the dead so Clover can come back.) It’s so annoying.)

- Yang and Ruby’s talk about their mom was really intense. Ruby’s been holding all of these feelings in for so long, so seeing her say out loud what we’re all fearing (that Summer was turned into a Grimm) and seeing both her and Yang break down over it – that was a lot. I loved seeing Yang comfort Ruby and tell her that her plan for Amity wasn’t useless. Their sisterly bond is so sweet.

- Penny asking Ruby to kill her was another really intense moment. The look on Ruby’s face in that moment really said it all. Ruby has been through so much, has lost Penny before, so hearing that request – even though they fortunately didn’t have to go through with it – must have still been a lot for her.

- I really loved Emerald’s cute “newly reformed villain” moments. (“You guys have been getting your asses kicked… some of that my fault” & “I’m just going to be super pissed if you all finally decide to give up the moment I switch sides.”) I’ve said before (in my She-Ra posts) that my favourite part of any redemption arc is the “former enemies, now awkward around each other” stuff, so this was right up my alley!

- “The girl who fell through the world” was referenced twice now. Between that, the image of everyone falling in the opening, and the lyrics “sometimes it’s worth it all to risk the fall”, I’m going to predict that someone – most likely all of Team RWBY – will fall into that void and potentially end up in a different world.

- The group’s plan to defeat Ironwood, stop the bomb, and get to the vault was amazing all-around. I love the parts Emerald and Winter got to play in it, I love how we saw the plan’s execution before seeing how they came up with it and I love how everyone got to help, even the Schnees and Klein. I also love that the hole Oscar blasted through the ground of Atlas became relevant again.

- The design of the vault and the door are really nice and now I wonder what the other two are going to look like.

- Saving Penny like that was super risky, but they really were out of options. Just the fact that Ruby had to be quick enough to use her semblance and get to the staff before the virus kills Penny… jeesh, that was close.

- Ambrosius is a super fun character! I love that he looked at Penny and said “I’d love to meet whoever did this.” Also, the staff seems more useful than the lamp. The lamp only lets you ask three questions per century, while the staff can be used as often as you want – as long as you’re okay with whatever it previously created disappearing.

- I honestly still don’t completely understand what Penny is now. Is she meant to be human now? Or is she just a being made up of pure aura? How does this work? Ambrosius only created the copy that destroyed herself, so what’s left is Penny’s aura – but she somehow also has a body now? I guess we’ll find out more about what exactly this means later.

- Also, while I wasn’t sure how I feel about this decision re:Penny at first, now that I’ve thought about it for a bit, I think it works. It fits with the Pinocchio story, and I like that they didn’t phrase it as “she’s a real girl now”, but as “this is the girl who’s been in there all along”. Also, Penny saying “wow” after hugging Ruby and then going on a hugging spree was adorable.

- Watching “herself” self-terminate must have been really traumatic, though. Even if that copy was just a robot, it was still a disturbing scene.

- Who shut down communications in the middle of Jaune’s broadcast? I’m assuming it was Cinder, Watts and Neo.

- The whole dimension with the doorways that Ambrosius created looks amazing. (A while before watching this episode, I wondered if Raven could theoretically save Atlas by getting everyone to safety with her portals. It might not have been Raven, but I’m glad I was at least onto something.)

- “Do not fall.” So, about that… they’re all falling in the opening, (and we referenced “the girl who fell through the world” twice now), so I don’t have a good feeling about that. Also, Watts has been dangled from somewhere high twice now, so the third time has to be when he actually falls down.

- And Cinder is there to ruin the plan because of course she is.

[anothersievefistedfind]

Photos © by Shawn Breen

Fugazi, Teamsters’ Union Hall, Baltimore, MD USA 5/12/1998 (FLS #0859)

Eleventh and last show of the 1998 spring US tour, and the only time Fugazi performed at the Teamsters’ Union Hall in Baltimore. A Benefit for Homeless Persons Representation Project. Although the audio quality of this recording has been rated as “poor”, and rightly so considering the high-pitched, shrill and thin sound, a much better sounding video of the show has surfaced on YouTube recently (see below). As per Guy Picciotto,

“I wanted to point this video out to you that just went up on YOUTUBE earlier this year. It is a much better representation of this show ( one of our personal favorites ) then you can get from the recording we made available online through our Archive which is pretty poor in quality.  Often I don't often find much to enjoy from videos of us playing on YouTube but this one really does capture something in terms of the pleasure we got from those moments when we were able to lock in together musically.”

And so it goes. At the beginning of the show, Ian briefly portrays the Flood Zone security debacle in Richmond, VA on the night prior, and concludes that “anyway, here we are back in the halls again, back where we should be anyway and it is a pleasure”, before launching into Back to Base and maintaining a fast pace well into the set.

The focus is on all things music here, with little to no distractions for the rest of the gig, little to no talk or banter. They just play, and get lost in the interplay, while both Guy and Ian treat mere lookers-on to signature guitar play and (dance) moves to boot.

While this set list does not particularly win me over personally on paper, as far as the selection of a number of songs is concerned, I have to admit that it gels damn fine live on this occasion, and meshes organically. Presented are 21 songs, with 11 songs taken off of End Hits (only Caustic Acrostic and Foreman’s Dog are missing here), with just a couple of tracks from the preceding albums Red Medicine (4), Kill Taker (2), Steady Diet (1), Repeater (1), Margin Walker (1) and 7 Songs (1).

Note that Jerry Busher joins for some heavy-hitting dual percussion on Burning and Arpeggiator, as well as on trumpet during Floating Boy, which was routine by 1998. Recap Modotti and By You are played back-to-back and offer a double dose of Joe on vocals. Set closer Two Beats Off is cut short, unfortunately.

Whereas Guy relates the meaning of the song Place Position to the fact that “right now, Congress is considering some kind of law where labour workers from other countries can be brought over here and then work for cheap, without any access to any kind of immigration status or any kind of protections here, something they haven’t done since the ‘20s or ‘30s and it is completely insane, this is a song about our completely insane immigration policies”, it is interesting to mention that he still dubs the song “April March” even though the album End Hits had been released some two weeks before.

The set list:

1. Intro 2. Back To Base 3. Do You Like Me 4. Reclamation 5. Place Position 6. Five Corporations 7. Floating Boy 8. Break 9. Burning 10. Burning Too 11. Interlude 1 12. No Surprise 13. Recap Modotti 14. By You 15. Closed Captioned 16. Arpeggiator 17. Smallpox Champion 18. Returning The Screw 19. FD 20. Pink Frosty 21. Encore 22. Guilford Fall 23. Birthday Pony 24. Two Beats Off

[codenamehellhound]

Name: Uersang (Guerra which is Spanish for war and Sang which is Norwegian for song, so basically WARSONG) Title: Singing Star Dragon Monster Class: Elder Dragon Element(s): Thunder Ailment(s): Thunderblight, Paralysis, Deadly Poison, Bleeding Weakest To: Fire (☆☆☆), Dragon (☆☆) Susceptible Status: Blast (☆☆☆) Sleep (n/a), Stun (☆), Paralysis (n/a), Poison (n/a) Immune To: Thunder, Ice Weak Point(s): Head, throat Size: Large Related Monster(s): Meteorburst Uersang (Variant) Signature Attack: Event Horizon

Info: The first thing anyone will notice about this dragon is that it communicates using its vocal cords to create a plethora of songs. Every roar, growl, howl, hiss and screech has a musical undertone that varies depending on this monster's mood and what it's trying to communicate. Second thing to notice is that the thunder and electricity it generates is hot pink in hue. This monster also has very small particles embedded into its scales that glitters in the light so if one flies low enough during the night it'll look like a distant shooting star while a wispy song trails behind.

Because they make their homes in the stratosphere and are seldom ever seen on land there's not much known about them.

Habitat & Diet: This elder dragon makes its home in the lower parts of the stratosphere where temperatures are freezing giving it an unnatural tolerance to the cold. For the most part this creature spends all day and night flying through the stratosphere. It does this by gliding to save energy. It requires a lot of hydration which it easily gets as it flies through clouds when it flies down to the troposphere where it collects water vapor to hydrate. Uersang doesn't require much food but its diet consists of fish. On the rare chance it touches ground it's been known to eat Aptonoth and fruit.

Abilities: Despite the fact that this elder dragon spends most of its life flying it has a poor chance at winning dog fights. Before attacking Uersang will give off a warning, its usually calm singing roar will turn violent and loud. If ignored it will strike the enemy hard and force it to land by paralyzing it. Once on the ground it will stand on its hind legs, spread its wings and give a secondary warning roar. If the target ignores this second warning it'll commence attacking by overwhelming the target with incredible speed and thunder attacks as well as an array of status effects. Uersang likes to get close and personal as its saliva is toxic and each bite will cause deadly poison to the hunter. The edges of its wings are sharp enough to cause bleeding. It can also envelop itself in crackling electricity after which it'll accost the hunter with a barrage of physical attacks such as body slams, hip slams, tackles, headbutts and tail slams that can cause paralysis. However, it does have a few ranged attacks to get the hunter off of it. It'll stand on its hind legs and let out a roaring song that'll cause lightning to strike it 5 times and as it runs through its body, this causes no harm to it, the lightning will be released through its back feet and spread on the ground in a ripple affect with small gaps in some areas. Being hit by the ripples will cause medium to high damage and leave the hunter with thunderblight. It's signature move, called Event Horizon, sees Uersang letting out a powerful roar that'll cause hunters to flinch, it then goes flying high into the sky and once it's high enough it unleashes a catastrophic white beam of energy with hot pink lightning crackling through and around it. The beam is targeted at the hunter it locked onto before it took to the sky but the lightning will spread through the entire arena causing tic damage that can kill if the hunter doesn't have a full health bar and/or full thunder resistance. Eating health items usually negates a faint but it has to be done fast. Those caught in the beam vanish without a trance only leaving behind a smell of burning flesh. It's possible to block Event Horizon but only if using Guard Up, however, 80% of your stamina will be used up and there is some significant recoil especially if blocking the beam.

The longer the fight goes the more aggressive, faster and angrier Uersang becomes. It's best to concentrate on the head to get the two breaks which will slow it down drastically. Easier said than done though, its habitat has shaped this monster's entire body to become extremely hardy. On top of that it WILL notice when hunters concentrate too much on its head and given the fact that THAT is its weak point it will use a combination of range and close attacks to prevent serious injuries to its head.

Pre-broken head 2x: At this stage Uersang's thunder is not as potent but its speed is grueling. While the thunder element won't do catastrophic damage it can build up due to the constant attacking

Post-broken head 2x: This stage sees Uersang moving at a far slower pace but its thunder element is heavily increased. It does more ranged attacks and tries to keep any threat away from its head. It will continue to fight until it perishes or the threat is taken care of.

1 head break: At this stage Uersang is at its deadliest. It's already been injured so it needs to prevent further injuries to its delicate head so it interchanges between ranged and close combat. Its thunder element has gotten a boost in power but it lost a small portion of its speed.

Behavior: Uersang is an extremely docile monster. When it lands, as rare as that is, it will explore, eat, drink and relax. It's been known to let humans and wyverians get close though not too close. In even rarer occasions if it doesn't feel like the humans or wyverians closing in are a threat it'll stick around, some reports say this monster has been known to play around in the snow and is no stranger to chucking snow at anything or anyone near by to bait them into a bit of play. It might even get curious and approach a human or wyverian as it seldom gets to see them.

However, it's best not to agitate this monster as it angers quickly and retaliates even quicker. For the most part it's docile and calm but it severely lacks patience. Once it's engaged in a fight it'll go all out until either it dies or the threat dies.

Researchers have reported that even when this dragon lands it doesn't land to sleep. This is because during the day one half of the brain shuts down while the other is active. At night the active part shuts down and the other activates therefore this monster never needs to sleeps.

During breeding season Uersang will partake in risky courtship rituals high in the stratosphere and when it comes time to lay eggs these monsters will make nests in very high places away from people and other monsters. However, given Valstrax's tendency to also live in places of high altitude they have been known to engage in turf wars. These turf wars are often fought by the Guersang that isn't about to lay eggs. If the partner loses then the Uersang carrying fertilized eggs and its partner will retreat. This is the only time a Uersang will flee from battle. While one Uersang watches over the eggs the other will bring food, specifically fish. After hatching, the babies will be able to fly after 9 days and the family will abandon the nest to return to the stratosphere. Once the babies are 9 months old they all go their separate ways.

Extra Deets:

Before it's first head break Uersang's head is extremely tough.

Anything under purple sharpness will bounce off, this can also be circumvented by use of the skill Mind's Eye. This affect is nullified after 1 head break.

After 1 head break Uersang uses a combination of close and ranged attacks. Some of the attacks vary in this stage.

Uersang's roar requires level 5 earplugs to block.

Uersang's front claws, throat, jaw, head, horns, wings can be broken. The tail can be broken but not cut off.

Uersang has a grab attack that cannot be blocked. It grabs a hunter by the head with its front claws and slams the hunter down with all its strength. This will cause a faint regardless of health. If using Guts Uersang follows that attack with a quick swipe. Best to avoid the grab.

Using Flash will work but it will also immediately put it in rage mode.

Once Uersang's throat has been broken it will no longer be able to roar.

It has two kinds of scales: the scales on it’s skull, back, shoulders and tail are much bigger than the scales on the rest of its body which are very tiny yet durable.

Monster materials:

Star Shard

Meteor Cortex

Uersang Claw (break front legs)

Uersang Sabertooth (break jaw)

Uersang Lash (break tail)

Ozone Webbing (break wing(s))

Strato Horn (1 head break)

Starlight Amethyst (2 head breaks)

Lålning Cord (break throat)

Uersang Weapons: Each weapon has purple sharpness and comes with the skill Gliese 436b which gives Mind's Eye/Ballistics. All weapons have hot pink lightning crackling through and around them. All are thunder element.

Cosmic Lålning (Insect Glaive)

Lightyear Aria (Long Sword)

Supernova Symphony (Light Bowgun)

Nebula Choir (Heavy Bowgun)

Galatic Canción (Hunting Horn)

Hubble's Reprise (Great Sword)

Pulsar Rhapsody (Bow)

Constellation Opera (Charge Blade)

Shootingstar Crescendo (Dual Blades)

Exosphere Cadenza (Switchaxe)

Lunar Rhythm (Sword & Shield)

Planetary Staccato (Lance)

Protostar Harmony (Gunlance)

Stellar Melody (Hammer)

* all Uersang and Meteorburst Uersang weapons gives off a faint musical note when swinging them. The Hunting Horn sounds like a violin

IG Kinsect bonus: Spirit and Strength boost Bow coatings: power, +paralysis and +poison DBs: one is thunder and the other is poison Horn songs: Movement Speed Up, Health Boost (L), Attack Boost (L), Thunder Resistance Boost (L), Melody Durations Extended, Impact Echo Wave, Elemental Effectiveness U

Kinsect: Name: Kepler 438b Attack Type: blunt Dust Effect: poison Element: level 20 Power (ele): lvl 14 Power (non ele): lvl 15 Speed: lvl 20 Heal: lvl 1

Armor Skills and Set Bonuses: 2 pieces give the skill Exoplanet Orchestra (Complete invulnerability while dodging. Think Bloodborne). 4 pieces give the skill Exoplanet Concert (True Critical Element).

Orbital Helmet - Critical Eye lvl 4

Orbital Chest - Attack Boost lvl 4

Orbital Arms - Thunder Attack lvl 6

Orbital Waist - Health Boost lvl 3

Orbital Legs - Constitution lvl 3

Vs Fire -5 Vs Water 1 Vs Thunder 4 Vs Ice 0 Vs Dragon -3

** Here’s the Insect Glaive and the Kinsect! Here’s the female armor set!

[s-creations]

Return the Flames - Chapter 2

All at Dead Bird Studios knew of Amos' (The  Conductor's) ability. How the owl could suddenly erupt into flames if  angered enough. When the studio first opened, Dominic (DJ Grooves) was  told that Amos had his ability under control. Nothing to worry about. No  possible loss of anything from an open flame.

A few years later however, and that control seems to have lessened to a dangerous degree.

It should have just been a simple, week long drive to fix the problem. It really should have been.

Dominic should have asked a lot more questions and should have been prepared for a twist ending.

_________________

Fandom: A Hat in Time Rating: General Audience Relationships/Pairings: The ConductorXDJ Grooves Warnings: Eventual depictions of violence, slow burn relationship, named characters, attempt of an accent, being hunted down, a race against time (sort of).

In two days time, the back of Dominic’s trunk was filled with suitcases. Dead Birds Studio had its doors closed, with its workers being told to relax at home for the next week. All were confused as to why their bosses were leaving, together, for so long, together. But there was a spark of hope that this was the indication that the feud was well and truly over. 

 Dominic closed said trunk before casting his eyes over to the studio steps. Amos was taking time to give farewells to his family. Grandchildren climbing over the elder owl, who was speaking to a very sickly looking one. Even with a few mottled patches, Dominic knew it was Amelia from the numerous photos that hung from Amos’ office. 

 The penguin knew that the younger owl was very ill. With what, he’d never known. But it exhausted her, seeming to continuously molt, Amos being heard from his office shouting to make sure she was cared for. The conductor constantly fretted over the possibilities. Amos worked over time as train conductor, director, and baby sitter when Amelia needed a day to sleep. Dominic may not like the other’s personality some times, the penguin couldn’t deny that Amos was an amazing father. Pushing himself to a dangerous degree. 

 Amos was speaking quickly and quietly, occasionally reaching out to preen a few feathers on Amelia. Who in turn would just smile and nod, giving a gentle response, eventually pulling Amos into a tight hug. When they broke apart, Amos helped his daughter back into her wheelchair. It was a bit of a challenge to get the grand kids off of him. A pure white dove, the nursemaid if Dominic remembered, helped pull the tiny birds off. Now free, Amos placed a gentle kiss on Amelia’s forehead before making his way over to the car.

 The penguin caught Amelia’s eyes and gave a wave in greeting. Which she returned in kind with another warm smile. 

 “Oi, are we goin’ or not.” Amos huffed as he climbed into the car. 

 “Alright Darling, alright. Let’s get this show on the road then.” Climbing in as well, Dominic brought the car to life and pulled out of the parking lot.

 They’d left early enough that the streets were bare. The sky was an inky darkness, the stars unseen among the steady lights of the city. The silence stretched on between them. Dominic itched to turn on some music. But he wasn’t sure what Amos would not complain about. Although the penguin also wasn’t sure what to talk about to fill the silence. They’d just started and it already felt like it had gone on for too long. Clearing his throat, the penguin went with the first safe topic that came to mind.

 “Amelia looks well.” Dominic chanced as the traffic light turned green. 

 “She is…” Amos offered as a reply. 

 “Is she...okay with this? This trip, I mean.”

 “More than I am.”

 “You didn’t have to take my offer-”

 “Not that, ya peck neck. She’s actually thankful I’m doin’ somethin’ reasonable about this.”

 “For once.”

 “And what does that mean.”

 “That you only recently stopped doing your own stunts.”

 “Ya sound like my bloody health insurance.”

 “But you can admit, I have a point.”

 “Peck neck.”

 “Bringing the original topic back. Are you worried about the trip?”

 “There’s...a lot ta worry about. But I did spend the better part of these days ta make sure she was financially set. So, that’s one less fret.”

 “Are you expecting a problem with her while we’re gone?”

 “...No. Not really. And I thought I told ya no more questions.”

 “It’s in relation to the conversation about your daughter. I wasn’t sure how far that request went.”

 “She’s fine. She has help. She’s goin’ ta be set. There, we talked. Now leave it.”

 Dominic felt his feathers ruffle in frustration, but did as requested. It wasn’t his place to push for answers and he honestly didn’t have the fighting energy at the moment. If the Conductor was going to shut down then the penguin wasn’t going to worry about it. He was just a convenient ride. But as they left the city limits and silence fell again, Dominic searched for another point of conversation. Anything to just get rid of this tension.

 It dawned on him how little he and Amos had in common. Amos never opened up and, when they were full time rivals, they weren’t ones to share personal information or interests. Even if the penguin liked conversing, when they were fighting he knew better than to try and get close to the other. Now that the rivalry fell away, there was still too many years of animosity to just have everything be okay. This new beginning was going to be hard to achieve. Especially if Amos shut down like this.

 Dominic was broken from his musings hearing the other beginning to snore. It wasn’t as loud as the penguin thought it would be. Just a gentle whistling created by the owl’s barely opened mouth. Such a contrast to his large personality. Dominic chuckled as he refocused on the road. 

 Turning on the radio and keeping the volume low, Dominic let himself become lost to the music.

         It was burning.

  A fire alight in his chest that was steadily growing. Clawing, tearing at his throat as it tried to escape. When it couldn’t, it started to consume him. Fear rising as he felt his body starting to melt from the heat. The inky blackness that surrounded him, the cool pressure, filled with bright, brilliant stars that shined in the quiet calm. It was maddening. 

  As he burned, it’s soothing presence was mocking. It seemed so close. That he could reach out and touch it. To calm the flames that consumed him. But it seemed to move away as he scrambled forward. He needed relief. 

  A noise, a voice, a chanting started growing from the distance.

  “Release, burn, return…”

  He couldn’t. It hurt too much. He didn’t want to.

  “Release, burn, return…”

  No, no he can’t.

  “Release, burn, return…”

  STOP!

 “Amos.”

 Giving a startled gasp, Amos woke, quickly scanning the area. He was first aware of how close Dominic was to him. Worry clearly seen on the penguin’s face. Next was the fact they were parked in a large lot. A large, grandly decorated hotel spotted in the distance. Amos almost winced seeing the night sky spread above them. 

 “Amos,” Dominic spoke up again, “Are you alright? Were you-”

 “‘M fine… Did...I sleep all day?”

 “Yeah, you did.” Dominic stood, stepping away from the owl. He wasn’t sure why Amos was nervous so suddenly. But he didn’t really want to be within hitting range if things turned ‘fight of flight’ with the owl. “I figured it would be best for us to rest for the night.”

 “Aye...are we makin’ good time?”

 “We are, but I need some sleep.  I’m going to get our bags. Take some time to wake up.” 

 Amos gave a grunt in response. Rubbing his forehead as Dominic headed to the trunk, the owl’s hand eventually traveled down and rested on his chest. Where the uncomfortable burning sensation was coming from. It was bearable, for the moment. No urges to release flames from his mouth. He was surprised he survived the majority of the day without that. But, he worried more about how much long he was going to last. 

 “You alright?”

 For the second time that night, Amos was startled to attention. He recovered quickly and stood. Actively avoiding making eye contact with the penguin. “I said ‘M fine. Give me my suitcase.” 

 “Come now Darling, you’re on this trip to relax. I can handle this.” Dominic took Amos’ moment of stunned confusion to lock the car and begin the treck up to the hotel. He smirked hearing familiar, anger filled footsteps rushing towards him.

 “‘M not a crippled, old bird. Ya don’t need ta mother hen me. Now, give me my bag.”

 “Amos, you’ve been bursting into flames. You’re clearly in pain and you needed a companion on this journey. I’m here to make sure you don’t push yourself. So, that means I will handle the bags.”

 “...Ya peck neck.”

 “Good counter argument.” And with that, Grooves let it drop. If Amos’ silence was anything to go by, he was done as well. 

 The owl’s grumpy demeanor slightly dropped as they entered the lobby. The interior reflected the exterior in it’s design. Pure white with ornately designed golden accents. The furniture matched the color scheme, Amos worrying he would trip over something if he wasn’t paying that close attention. The only pop of color came from the floral arrangements. Bundles of green with breaks of blue, yellow and pink flowers. 

 It was relatively empty, save for the workers and stragglers like themselves. 

 Amos hung back, deciding Dominic didn’t need to be crowded as he checked them in. He claimed a cushioned seat nearby, grunting as he attempted to get comfortable. A hand reached up to rub his chest again. The heat was still down, but there was that constant burning. Peck, he hated feeling like this. Old, exhausted, in pain. He couldn't wait for this to be over with. 

 Amos’ attention perked hearing a familiar laugh. Dominic was conversing with the hostess, both enjoying something the penguin had said. No doubt. With how charismatic, down right  charming the other was. Grooves could say anything that could just light up the room.

  U̬̒n̩̓l̨̯̳̓̈i̫̋k͎̰̥̍̌́e̼̿̈͜ ẙ̱͙̏ö͕̺͈́͘͠u̠͉̗͗̐.̳̬̙̇̊͗

 The owl coughed, frantically covering his mouth when some flames flickered out. He hunched over to hide himself away. He needed to get to the room. If he could make it to the shower, he could cool himself down. What was taking Grooves so long!

 “Amos?”

 He snapped back to attention. Dominic standing over him with a look of worry. Amos stood, stumbling slightly as he put weight on his legs.

 “Whoa, Amos, are you-”

 “Room, now.” The Conductor coughed out, a few flames licking against his cheeks.

 “I...right. Right, come on then.”

 It was a tense and quiet track to their room. Dominic kept a hand on Amos’ shoulder to direct the owl. As his focus remained on keeping the flames at bay. The attempted to appear ‘normal’ while quickly moving to the properly numbered room. As soon as they entered, Amos made a direct line towards the bathroom. 

 Ignoring the fancy decor, the owl climbed into the tub and turned the water onto the coldest setting. He let out a strangled gasp of relief as the water hit him. It was brief contact, however, as the liquid seemed to evaporate as soon as it made contact. There was a moment of shock when ice cubes suddenly slid into the tub, pooling at his feet. Only to look up and find Dominic holding the signature ice bucket, looking sheepish. 

 “I figured...ice would help.” Dominic offered with a weak shrug. 

 Amos nodded. He sat down, leaned back to allow water hitting his face and chest. “Think you could get me some more?”

 “Yeah...hang tight Darling.”

 Amos merely gave a wave. Letting himself lay out as best he could, he picked up a handful of ice to eat it. All turning to water as before it even touched his tongue. A small cough brought his attention back to Dominic. 

 “Do you want me to just pour it on you or…”

 “Give it.” Amos dumped the contents directly onto his chest. A small sigh of relief escaped him, eventually holding the bucket back out. “More.” 

 “Think you could ask politely?”

 “I’m in pain. Politeness is not my biggest concern.”

 Bucket returned to the penguin and left alone, Amos buried himself into the already collected ice. It was slowly lowering his raging temperature. The owl allowed himself to relax, falling asleep before Dominic returned with another round.